‘The Empire Floats Back’. Ariane Mnouchkine, her L’Indiade and the Nāṭyaśāstra

This paper seeks to explore certain prescriptive theorisations of the Nāṭyaśāstra and link them, in a comparative vein, with the often radical directorial approaches and experiments in post-WW2 European dramaturgical practice, especially as seen in the work of the eminent French metteur en scène, Ar...

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Main Author: Gautam Chakrabarti
Format: Article
Language:English
Published: Ksiegarnia Akademicka Publishing 2018-09-01
Series:Cracow Indological Studies
Subjects:
Online Access:https://journals.akademicka.pl/cis/article/view/316
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author Gautam Chakrabarti
author_facet Gautam Chakrabarti
author_sort Gautam Chakrabarti
collection DOAJ
description This paper seeks to explore certain prescriptive theorisations of the Nāṭyaśāstra and link them, in a comparative vein, with the often radical directorial approaches and experiments in post-WW2 European dramaturgical practice, especially as seen in the work of the eminent French metteur en scène, Ariane Mnouchkine (1939–), who founded the avant-garde stage ensemble Théâtre du Soleil in 1964, in Paris. Mnouchkine’s L’Indiade ou L’Inde de leurs Rêves (1987–1988), based on the learning experiences which Hélène Cixous—who wrote the play for and with her—and she had had in India during their stay and travels there, was an almost ground-breaking exploration of Indic motifs and stagement-configurations. The play will be viewed here from the perspective of ‘total theatre’, as also envisaged in the Nāṭyaśāstra. Finally, this paper will also seek to engage with theatrical and ritual boundaries in Mnouchkine’s work by looking at the reception of Indic forms of ritual-theatre in L’Indiade.
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spelling doaj.art-dcb43b356fd64d3cbaf8a3cd567e18a92022-12-21T20:16:49ZengKsiegarnia Akademicka PublishingCracow Indological Studies1732-09172449-86962018-09-0120110.12797/CIS.20.2018.01.04‘The Empire Floats Back’. Ariane Mnouchkine, her L’Indiade and the NāṭyaśāstraGautam Chakrabarti0Ludwig-Maximilians-Universität, München; Freie Universität, BerlinThis paper seeks to explore certain prescriptive theorisations of the Nāṭyaśāstra and link them, in a comparative vein, with the often radical directorial approaches and experiments in post-WW2 European dramaturgical practice, especially as seen in the work of the eminent French metteur en scène, Ariane Mnouchkine (1939–), who founded the avant-garde stage ensemble Théâtre du Soleil in 1964, in Paris. Mnouchkine’s L’Indiade ou L’Inde de leurs Rêves (1987–1988), based on the learning experiences which Hélène Cixous—who wrote the play for and with her—and she had had in India during their stay and travels there, was an almost ground-breaking exploration of Indic motifs and stagement-configurations. The play will be viewed here from the perspective of ‘total theatre’, as also envisaged in the Nāṭyaśāstra. Finally, this paper will also seek to engage with theatrical and ritual boundaries in Mnouchkine’s work by looking at the reception of Indic forms of ritual-theatre in L’Indiade.https://journals.akademicka.pl/cis/article/view/316NāṭyaśāstraAriane MnouchkineL’IndiadeHélène Cixoustotal theatrehybridity
spellingShingle Gautam Chakrabarti
‘The Empire Floats Back’. Ariane Mnouchkine, her L’Indiade and the Nāṭyaśāstra
Cracow Indological Studies
Nāṭyaśāstra
Ariane Mnouchkine
L’Indiade
Hélène Cixous
total theatre
hybridity
title ‘The Empire Floats Back’. Ariane Mnouchkine, her L’Indiade and the Nāṭyaśāstra
title_full ‘The Empire Floats Back’. Ariane Mnouchkine, her L’Indiade and the Nāṭyaśāstra
title_fullStr ‘The Empire Floats Back’. Ariane Mnouchkine, her L’Indiade and the Nāṭyaśāstra
title_full_unstemmed ‘The Empire Floats Back’. Ariane Mnouchkine, her L’Indiade and the Nāṭyaśāstra
title_short ‘The Empire Floats Back’. Ariane Mnouchkine, her L’Indiade and the Nāṭyaśāstra
title_sort the empire floats back ariane mnouchkine her l indiade and the natyasastra
topic Nāṭyaśāstra
Ariane Mnouchkine
L’Indiade
Hélène Cixous
total theatre
hybridity
url https://journals.akademicka.pl/cis/article/view/316
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