Archivi intermediali: il valzer nella testualità byroniana

The article aims to explore alternative ways to approach theatrical dance research between the XVIIIth and the XIXth centuries, despite of the lack of technical manuals published at the time. A special relationship with the rediscovery of classical antiquity influenced creative processes which are...

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Main Author: Carla Pomarè
Format: Article
Language:English
Published: Università di Parma 2019-12-01
Series:Ricerche di S/Confine
Subjects:
Online Access:https://www.ricerchedisconfine.info/dossier-5/POMARE.htm
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author Carla Pomarè
author_facet Carla Pomarè
author_sort Carla Pomarè
collection DOAJ
description The article aims to explore alternative ways to approach theatrical dance research between the XVIIIth and the XIXth centuries, despite of the lack of technical manuals published at the time. A special relationship with the rediscovery of classical antiquity influenced creative processes which are, in theatrical dance, linked to connoisseurship practice and the perception of classical iconography through technique, aesthetic and moral values. In addition to Blasis’ unmissable work for dance practice knowledge in this period (Traité élémentaire, théorique et pratique de l'art de la danse, 1820) the author gives a glimpse of some understimate works: Théorie du geste (1813) of painter Jacques-Nicolas Paillot de Montabert, and some exemples of choreographical tools made by Jean Aumer and André Jean- Jacques Deshayes (1800-1823).
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spelling doaj.art-dcbbf677034c495ab89179632336e18b2023-12-03T13:49:08ZengUniversità di ParmaRicerche di S/Confine2038-84112019-12-01Dossier 53754Archivi intermediali: il valzer nella testualità byronianaCarla Pomarè0Università del Piemonte OrientaleThe article aims to explore alternative ways to approach theatrical dance research between the XVIIIth and the XIXth centuries, despite of the lack of technical manuals published at the time. A special relationship with the rediscovery of classical antiquity influenced creative processes which are, in theatrical dance, linked to connoisseurship practice and the perception of classical iconography through technique, aesthetic and moral values. In addition to Blasis’ unmissable work for dance practice knowledge in this period (Traité élémentaire, théorique et pratique de l'art de la danse, 1820) the author gives a glimpse of some understimate works: Théorie du geste (1813) of painter Jacques-Nicolas Paillot de Montabert, and some exemples of choreographical tools made by Jean Aumer and André Jean- Jacques Deshayes (1800-1823).https://www.ricerchedisconfine.info/dossier-5/POMARE.htmlord byronvalzer
spellingShingle Carla Pomarè
Archivi intermediali: il valzer nella testualità byroniana
Ricerche di S/Confine
lord byron
valzer
title Archivi intermediali: il valzer nella testualità byroniana
title_full Archivi intermediali: il valzer nella testualità byroniana
title_fullStr Archivi intermediali: il valzer nella testualità byroniana
title_full_unstemmed Archivi intermediali: il valzer nella testualità byroniana
title_short Archivi intermediali: il valzer nella testualità byroniana
title_sort archivi intermediali il valzer nella testualita byroniana
topic lord byron
valzer
url https://www.ricerchedisconfine.info/dossier-5/POMARE.htm
work_keys_str_mv AT carlapomare archiviintermedialiilvalzernellatestualitabyroniana