Archivi intermediali: il valzer nella testualità byroniana
The article aims to explore alternative ways to approach theatrical dance research between the XVIIIth and the XIXth centuries, despite of the lack of technical manuals published at the time. A special relationship with the rediscovery of classical antiquity influenced creative processes which are...
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Format: | Article |
Language: | English |
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Università di Parma
2019-12-01
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Series: | Ricerche di S/Confine |
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Online Access: | https://www.ricerchedisconfine.info/dossier-5/POMARE.htm |
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author | Carla Pomarè |
author_facet | Carla Pomarè |
author_sort | Carla Pomarè |
collection | DOAJ |
description | The article aims to explore alternative ways to approach theatrical dance research between the XVIIIth
and the XIXth centuries, despite of the lack of technical manuals published at the time. A special
relationship with the rediscovery of classical antiquity influenced creative processes which are, in
theatrical dance, linked to connoisseurship practice and the perception of classical iconography through
technique, aesthetic and moral values. In addition to Blasis’ unmissable work for dance practice
knowledge in this period (Traité élémentaire, théorique et pratique de l'art de la danse, 1820) the author
gives a glimpse of some understimate works: Théorie du geste (1813) of painter Jacques-Nicolas Paillot
de Montabert, and some exemples of choreographical tools made by Jean Aumer and André Jean-
Jacques Deshayes (1800-1823). |
first_indexed | 2024-03-09T04:19:42Z |
format | Article |
id | doaj.art-dcbbf677034c495ab89179632336e18b |
institution | Directory Open Access Journal |
issn | 2038-8411 |
language | English |
last_indexed | 2024-03-09T04:19:42Z |
publishDate | 2019-12-01 |
publisher | Università di Parma |
record_format | Article |
series | Ricerche di S/Confine |
spelling | doaj.art-dcbbf677034c495ab89179632336e18b2023-12-03T13:49:08ZengUniversità di ParmaRicerche di S/Confine2038-84112019-12-01Dossier 53754Archivi intermediali: il valzer nella testualità byronianaCarla Pomarè0Università del Piemonte OrientaleThe article aims to explore alternative ways to approach theatrical dance research between the XVIIIth and the XIXth centuries, despite of the lack of technical manuals published at the time. A special relationship with the rediscovery of classical antiquity influenced creative processes which are, in theatrical dance, linked to connoisseurship practice and the perception of classical iconography through technique, aesthetic and moral values. In addition to Blasis’ unmissable work for dance practice knowledge in this period (Traité élémentaire, théorique et pratique de l'art de la danse, 1820) the author gives a glimpse of some understimate works: Théorie du geste (1813) of painter Jacques-Nicolas Paillot de Montabert, and some exemples of choreographical tools made by Jean Aumer and André Jean- Jacques Deshayes (1800-1823).https://www.ricerchedisconfine.info/dossier-5/POMARE.htmlord byronvalzer |
spellingShingle | Carla Pomarè Archivi intermediali: il valzer nella testualità byroniana Ricerche di S/Confine lord byron valzer |
title | Archivi intermediali: il valzer nella testualità byroniana |
title_full | Archivi intermediali: il valzer nella testualità byroniana |
title_fullStr | Archivi intermediali: il valzer nella testualità byroniana |
title_full_unstemmed | Archivi intermediali: il valzer nella testualità byroniana |
title_short | Archivi intermediali: il valzer nella testualità byroniana |
title_sort | archivi intermediali il valzer nella testualita byroniana |
topic | lord byron valzer |
url | https://www.ricerchedisconfine.info/dossier-5/POMARE.htm |
work_keys_str_mv | AT carlapomare archiviintermedialiilvalzernellatestualitabyroniana |