Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism in Bell in Campo (1662)

This paper proposes to read Margaret Cavendish’s Bell in Campo (1662) in the light of Pierre Le Moyne’s Gallerie des femmes fortes (1647). It shows how this celebration of women’s high deeds sheds an interesting light on the the ambiguous staging of female heroism in Bell in Campo: like the French J...

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Main Author: Claire Gheeraert-Graffeuille
Format: Article
Language:English
Published: Société d'Etudes Anglo-Américaines des XVIIe et XVIIIe siècles 2016-12-01
Series:XVII-XVIII
Online Access:http://journals.openedition.org/1718/800
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author Claire Gheeraert-Graffeuille
author_facet Claire Gheeraert-Graffeuille
author_sort Claire Gheeraert-Graffeuille
collection DOAJ
description This paper proposes to read Margaret Cavendish’s Bell in Campo (1662) in the light of Pierre Le Moyne’s Gallerie des femmes fortes (1647). It shows how this celebration of women’s high deeds sheds an interesting light on the the ambiguous staging of female heroism in Bell in Campo: like the French Jesuit, Cavendish uses female heroism both as a way to explore the possibilities of female emancipation and as a paradigm to express her own political and anthropological views. In order to highlight the Duchess’s double focus on gender and politics, the article looks in turn at the crisis of the heroic ethos, at the making of the female warrior, at different possible interpretations of Lady Victoria’s triumph. It ultimately shows that Lady Victoria’s heroism may be understood in the Civil War uncertain context as a defence of royalist and aristocratic values.
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spelling doaj.art-dcd574f639df4598b214489fdd9311972022-12-22T01:48:14ZengSociété d'Etudes Anglo-Américaines des XVIIe et XVIIIe sièclesXVII-XVIII0291-37982117-590X2016-12-017324326510.4000/1718.800Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism in Bell in Campo (1662)Claire Gheeraert-GraffeuilleThis paper proposes to read Margaret Cavendish’s Bell in Campo (1662) in the light of Pierre Le Moyne’s Gallerie des femmes fortes (1647). It shows how this celebration of women’s high deeds sheds an interesting light on the the ambiguous staging of female heroism in Bell in Campo: like the French Jesuit, Cavendish uses female heroism both as a way to explore the possibilities of female emancipation and as a paradigm to express her own political and anthropological views. In order to highlight the Duchess’s double focus on gender and politics, the article looks in turn at the crisis of the heroic ethos, at the making of the female warrior, at different possible interpretations of Lady Victoria’s triumph. It ultimately shows that Lady Victoria’s heroism may be understood in the Civil War uncertain context as a defence of royalist and aristocratic values.http://journals.openedition.org/1718/800
spellingShingle Claire Gheeraert-Graffeuille
Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism in Bell in Campo (1662)
XVII-XVIII
title Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism in Bell in Campo (1662)
title_full Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism in Bell in Campo (1662)
title_fullStr Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism in Bell in Campo (1662)
title_full_unstemmed Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism in Bell in Campo (1662)
title_short Margaret Cavendish’s Femmes Fortes: The Paradoxes of Female Heroism in Bell in Campo (1662)
title_sort margaret cavendish s femmes fortes the paradoxes of female heroism in bell in campo 1662
url http://journals.openedition.org/1718/800
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