Los espacios públicos de la literatura contemporánea
This article aims at criticizing Habermas’ notion of “public sphere”, a concept which, since its origins, has been closely linked with literature. The public sphere is described as an idealization in which the public of literature is defined as the result of a triple suppression (that of body, sound...
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Format: | Article |
Language: | Spanish |
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Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata
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Series: | Cuadernos LIRICO |
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Online Access: | https://journals.openedition.org/lirico/2112 |
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author | Lionel Ruffel |
author_facet | Lionel Ruffel |
author_sort | Lionel Ruffel |
collection | DOAJ |
description | This article aims at criticizing Habermas’ notion of “public sphere”, a concept which, since its origins, has been closely linked with literature. The public sphere is described as an idealization in which the public of literature is defined as the result of a triple suppression (that of body, sound, and space). This representation does not describe accurately the contemporary practices, among which literary performances, public readings and non-print publications are increasingly taking centre stage. |
first_indexed | 2024-03-08T01:47:32Z |
format | Article |
id | doaj.art-dcefa609d4e149ee8611cceab0091fa5 |
institution | Directory Open Access Journal |
issn | 2262-8339 |
language | Spanish |
last_indexed | 2024-03-08T01:47:32Z |
publisher | Réseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la Plata |
record_format | Article |
series | Cuadernos LIRICO |
spelling | doaj.art-dcefa609d4e149ee8611cceab0091fa52024-02-14T12:58:17ZspaRéseau Interuniversitaire d'Ètude des Littératures Contemporaines du Río de la PlataCuadernos LIRICO2262-83391310.4000/lirico.2112Los espacios públicos de la literatura contemporáneaLionel RuffelThis article aims at criticizing Habermas’ notion of “public sphere”, a concept which, since its origins, has been closely linked with literature. The public sphere is described as an idealization in which the public of literature is defined as the result of a triple suppression (that of body, sound, and space). This representation does not describe accurately the contemporary practices, among which literary performances, public readings and non-print publications are increasingly taking centre stage.https://journals.openedition.org/lirico/2112public spheresubaltern counterpublicsnon-print publications |
spellingShingle | Lionel Ruffel Los espacios públicos de la literatura contemporánea Cuadernos LIRICO public sphere subaltern counterpublics non-print publications |
title | Los espacios públicos de la literatura contemporánea |
title_full | Los espacios públicos de la literatura contemporánea |
title_fullStr | Los espacios públicos de la literatura contemporánea |
title_full_unstemmed | Los espacios públicos de la literatura contemporánea |
title_short | Los espacios públicos de la literatura contemporánea |
title_sort | los espacios publicos de la literatura contemporanea |
topic | public sphere subaltern counterpublics non-print publications |
url | https://journals.openedition.org/lirico/2112 |
work_keys_str_mv | AT lionelruffel losespaciospublicosdelaliteraturacontemporanea |