Vaishnavism in Nammalvar’s Poem “Tiruviruttam”

Nammalvar, a Tamil poet who lived in IX-X centuries, is revered as one of the great mystics of India. His four poetic works are equated with the sacred hymns and are part of the ritual worship in the temples of South India. Artistic images of Nammalvar formed the basis of the philosophy of Vishishta...

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Main Author: Sergey R. Moiseev
Format: Article
Language:deu
Published: Peoples’ Friendship University of Russia (RUDN University) 2023-12-01
Series:RUDN Journal of Philosophy
Subjects:
Online Access:https://journals.rudn.ru/philosophy/article/viewFile/37149/22862
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author Sergey R. Moiseev
author_facet Sergey R. Moiseev
author_sort Sergey R. Moiseev
collection DOAJ
description Nammalvar, a Tamil poet who lived in IX-X centuries, is revered as one of the great mystics of India. His four poetic works are equated with the sacred hymns and are part of the ritual worship in the temples of South India. Artistic images of Nammalvar formed the basis of the philosophy of Vishishta-Advaita several centuries later. The poem “Thiruviruttam” is considered as his early work, where he combines the canons of ancient Tamil poetry and his devoted love for Vishnu-Tirumal. The study presents a religious and philosophical interpretation of the poem. The secret of the poem is its dualism: external beauty and sacred meaning. There is a spiritual meaning in symbols of Tamil poetry. Nammalvar takes canons of his predecessors, poets of the Sangam era. However, he fills one with new content. The author compares ancient Tamil poetry and the work of Nammalvar. The plot describes the love between God and the soul. The poet reveals several types of bhakti or devoted love. The description of bhakti subsequently formed the basis for the classification of souls in the philosophy of vishishta-advaita. Bhakti leads to the transition to Vaikuntha or the heaven city. Sri Vaishnavism teachers turned the description of relationship soul-Vishnu into a spiritual practice. The artistic images of Nammalvar are compared with Hindu concepts such as transcendence, darshan, divine grace and moksha. In South India “Thiruviruttam” is considered the Tamil Rig Veda. Poem is performed at home, in the temple, during festive processes. It helps to find the roots of Vaishnavism and understand its poetic origin.
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spelling doaj.art-dd19606fef964fc88428686402b7719a2023-12-22T09:45:42ZdeuPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Philosophy2313-23022408-89002023-12-01274996100810.22363/2313-2302-2023-27-4-996-100820888Vaishnavism in Nammalvar’s Poem “Tiruviruttam”Sergey R. Moiseev0https://orcid.org/0000-0002-9044-5403Bank of RussiaNammalvar, a Tamil poet who lived in IX-X centuries, is revered as one of the great mystics of India. His four poetic works are equated with the sacred hymns and are part of the ritual worship in the temples of South India. Artistic images of Nammalvar formed the basis of the philosophy of Vishishta-Advaita several centuries later. The poem “Thiruviruttam” is considered as his early work, where he combines the canons of ancient Tamil poetry and his devoted love for Vishnu-Tirumal. The study presents a religious and philosophical interpretation of the poem. The secret of the poem is its dualism: external beauty and sacred meaning. There is a spiritual meaning in symbols of Tamil poetry. Nammalvar takes canons of his predecessors, poets of the Sangam era. However, he fills one with new content. The author compares ancient Tamil poetry and the work of Nammalvar. The plot describes the love between God and the soul. The poet reveals several types of bhakti or devoted love. The description of bhakti subsequently formed the basis for the classification of souls in the philosophy of vishishta-advaita. Bhakti leads to the transition to Vaikuntha or the heaven city. Sri Vaishnavism teachers turned the description of relationship soul-Vishnu into a spiritual practice. The artistic images of Nammalvar are compared with Hindu concepts such as transcendence, darshan, divine grace and moksha. In South India “Thiruviruttam” is considered the Tamil Rig Veda. Poem is performed at home, in the temple, during festive processes. It helps to find the roots of Vaishnavism and understand its poetic origin.https://journals.rudn.ru/philosophy/article/viewFile/37149/22862sri vaishnavismvishnuindian philosophy
spellingShingle Sergey R. Moiseev
Vaishnavism in Nammalvar’s Poem “Tiruviruttam”
RUDN Journal of Philosophy
sri vaishnavism
vishnu
indian philosophy
title Vaishnavism in Nammalvar’s Poem “Tiruviruttam”
title_full Vaishnavism in Nammalvar’s Poem “Tiruviruttam”
title_fullStr Vaishnavism in Nammalvar’s Poem “Tiruviruttam”
title_full_unstemmed Vaishnavism in Nammalvar’s Poem “Tiruviruttam”
title_short Vaishnavism in Nammalvar’s Poem “Tiruviruttam”
title_sort vaishnavism in nammalvar s poem tiruviruttam
topic sri vaishnavism
vishnu
indian philosophy
url https://journals.rudn.ru/philosophy/article/viewFile/37149/22862
work_keys_str_mv AT sergeyrmoiseev vaishnavisminnammalvarspoemtiruviruttam