SEMIOTIC AND ASSOCIATIVE-SYMBOLIC VALENCES OF THE PAINTED FORM
The form represents the external confi guration, the appearance under which the objects and things of the surrounding world are presented. In the fine arts, form is the result of the creative process and includes the idea or concept that underlies the artwork. The form, depending on its configuratio...
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| Format: | Article |
| Language: | deu |
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Notograf Prim
2022-03-01
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| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
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| Online Access: | https://revista.amtap.md/wp-content/files_mf/164872288241.Cojocaru_Valente_semiotice.pdf |
| Summary: | The form represents the external confi guration, the appearance under which the objects and things of the surrounding world are presented. In the fine arts, form is the result of the creative process and includes the idea or concept that underlies the artwork. The form, depending on its configurations, acts directly on the perception, accessing the deepest associative - intuitive
levels of memory, through special psychic mechanisms. The human brain prefers simple and orderly things and forms, which it instinctively considers safer and more productive; facing complicated forms, the brain tends to mentally reduce them to simpler forms. All shapes in the universe can be simplified and consciously brought back to simpler geometric shapes, a principle.
accepted especially by painting and drawing |
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| ISSN: | 2345-1408 2345-1831 |