Antonio Bioni and his compositions preserved in Kroměříž archive

This study deals with Italian composer Antonio Bioni (c. 1698–?) and his compositions deposited in the Kroměříž music collection. Along with a summary of current research, it also offers new findings about his life and work. Bioni belongs to important propagators of Italian musical culture to region...

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Main Author: Zuzana Černá
Format: Article
Language:ces
Published: Masaryk University, Faculty of Arts 2017-12-01
Series:Musicologica Brunensia
Subjects:
Online Access:https://journals.phil.muni.cz/musicologica-brunensia/article/view/23899
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author Zuzana Černá
author_facet Zuzana Černá
author_sort Zuzana Černá
collection DOAJ
description This study deals with Italian composer Antonio Bioni (c. 1698–?) and his compositions deposited in the Kroměříž music collection. Along with a summary of current research, it also offers new findings about his life and work. Bioni belongs to important propagators of Italian musical culture to regions beyond the Alps in the first half of the 18th century. In his life and work we can see how music centres in the first half of the 18th century – Prague, Wrocław, Jaroměřice nad Rokytnou and Vienna – were interconnected. One part of the study presents analysis of Bioni' cantata Innocente è il mio martire, stored in Kroměříž, which probes Bioni's compositional style.
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spelling doaj.art-dd7a366be8f54516bf7f603009e9bb002023-09-06T09:09:53ZcesMasaryk University, Faculty of ArtsMusicologica Brunensia1212-03912336-436X2017-12-0152210.5817/MB2017-2-18Antonio Bioni and his compositions preserved in Kroměříž archiveZuzana ČernáThis study deals with Italian composer Antonio Bioni (c. 1698–?) and his compositions deposited in the Kroměříž music collection. Along with a summary of current research, it also offers new findings about his life and work. Bioni belongs to important propagators of Italian musical culture to regions beyond the Alps in the first half of the 18th century. In his life and work we can see how music centres in the first half of the 18th century – Prague, Wrocław, Jaroměřice nad Rokytnou and Vienna – were interconnected. One part of the study presents analysis of Bioni' cantata Innocente è il mio martire, stored in Kroměříž, which probes Bioni's compositional style.https://journals.phil.muni.cz/musicologica-brunensia/article/view/23899Antonio BioniItalian opera18th centuryPragueKuksWrocław
spellingShingle Zuzana Černá
Antonio Bioni and his compositions preserved in Kroměříž archive
Musicologica Brunensia
Antonio Bioni
Italian opera
18th century
Prague
Kuks
Wrocław
title Antonio Bioni and his compositions preserved in Kroměříž archive
title_full Antonio Bioni and his compositions preserved in Kroměříž archive
title_fullStr Antonio Bioni and his compositions preserved in Kroměříž archive
title_full_unstemmed Antonio Bioni and his compositions preserved in Kroměříž archive
title_short Antonio Bioni and his compositions preserved in Kroměříž archive
title_sort antonio bioni and his compositions preserved in kromeriz archive
topic Antonio Bioni
Italian opera
18th century
Prague
Kuks
Wrocław
url https://journals.phil.muni.cz/musicologica-brunensia/article/view/23899
work_keys_str_mv AT zuzanacerna antoniobioniandhiscompositionspreservedinkromerizarchive