The New German Nature Lyric

<i>Naturlyrik</i> has long been a contested category in German poetry, but however politically suspect some may find ‘Gespräch(e) über Bäume’ (Brecht), they are vitally important in the era of anthropogenic environmental collapse. The current generation of German-language poets have soug...

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Main Author: Nicola Thomas
Format: Article
Language:English
Published: MDPI AG 2020-06-01
Series:Humanities
Subjects:
Online Access:https://www.mdpi.com/2076-0787/9/2/50
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author Nicola Thomas
author_facet Nicola Thomas
author_sort Nicola Thomas
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description <i>Naturlyrik</i> has long been a contested category in German poetry, but however politically suspect some may find ‘Gespräch(e) über Bäume’ (Brecht), they are vitally important in the era of anthropogenic environmental collapse. The current generation of German-language poets have sought new ways of writing about the natural world and environments; these differ from, and draw on, pre-twentieth-century <i>Naturlyrik</i> as well as the complex, often critical, representations of nature in poetry after the Second World War. Representations of gardens and other human-‘managed’ natural spaces, references to and rewritings of German literary tradition, and the exploration of non-human voices and subjects all serve as means of restoring subjective fullness and complexity to <i>Naturlyrik</i>. The questions of voice and form which are central to the idea of the lyric genre as a whole are implicated in the development of a contemporary nature poetry beyond both Brecht and Benn, and Anthropocene <i>Naturlyrik</i> is pushing German lyric poetry itself into a new phase.
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spelling doaj.art-dd9c9660e43347cd8713399bff1d03892023-11-20T02:50:19ZengMDPI AGHumanities2076-07872020-06-01925010.3390/h9020050The New German Nature LyricNicola Thomas0Department of Comparative Literature and Culture, Queen Mary University of London, London E1 4NS, UK<i>Naturlyrik</i> has long been a contested category in German poetry, but however politically suspect some may find ‘Gespräch(e) über Bäume’ (Brecht), they are vitally important in the era of anthropogenic environmental collapse. The current generation of German-language poets have sought new ways of writing about the natural world and environments; these differ from, and draw on, pre-twentieth-century <i>Naturlyrik</i> as well as the complex, often critical, representations of nature in poetry after the Second World War. Representations of gardens and other human-‘managed’ natural spaces, references to and rewritings of German literary tradition, and the exploration of non-human voices and subjects all serve as means of restoring subjective fullness and complexity to <i>Naturlyrik</i>. The questions of voice and form which are central to the idea of the lyric genre as a whole are implicated in the development of a contemporary nature poetry beyond both Brecht and Benn, and Anthropocene <i>Naturlyrik</i> is pushing German lyric poetry itself into a new phase.https://www.mdpi.com/2076-0787/9/2/50ecocriticismnature poetry<i>Naturlyrik</i>Yoko TawadaJan WagnerUlrike Draesner
spellingShingle Nicola Thomas
The New German Nature Lyric
Humanities
ecocriticism
nature poetry
<i>Naturlyrik</i>
Yoko Tawada
Jan Wagner
Ulrike Draesner
title The New German Nature Lyric
title_full The New German Nature Lyric
title_fullStr The New German Nature Lyric
title_full_unstemmed The New German Nature Lyric
title_short The New German Nature Lyric
title_sort new german nature lyric
topic ecocriticism
nature poetry
<i>Naturlyrik</i>
Yoko Tawada
Jan Wagner
Ulrike Draesner
url https://www.mdpi.com/2076-0787/9/2/50
work_keys_str_mv AT nicolathomas thenewgermannaturelyric
AT nicolathomas newgermannaturelyric