Mundane beauty in art and architecture

In the twentieth century a specific kind of beauty emerged from art: the increased value of the mundane. Contemporary art shows that common situations have an aesthetic significance. But architecture does not pay any attention to this scope. What is more, it tries to deny it. Nor the design process...

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Main Author: Angela Juarranz
Format: Article
Language:English
Published: Grupo Español del IIC 2017-07-01
Series:Ge-conservación
Subjects:
Online Access:https://ge-iic.com/ojs/index.php/revista/article/view/476/778
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author Angela Juarranz
author_facet Angela Juarranz
author_sort Angela Juarranz
collection DOAJ
description In the twentieth century a specific kind of beauty emerged from art: the increased value of the mundane. Contemporary art shows that common situations have an aesthetic significance. But architecture does not pay any attention to this scope. What is more, it tries to deny it. Nor the design process nor the architectural photography show the presence of mundane things. Fortunately, we have some works to go in depth into this day-to-day issue. Let’s analyze the photograph Morning Cleaning, Mies van der Rohe Foundation, Barcelona, (Jeff Wall, 1999), the intervention Phantom, Mies as Rendered Society (Andrés Jaque, 2012) and the film Koolhaas Houselife (Ila Bêka and Louise Lemoine, 2008). By considering the visual and spatial value of these cases, we reconsider them as an experimental space. What if architecture starts looking at its surroundings?
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spelling doaj.art-ddb0140126d04a5ea0b3a755fce437282022-12-21T21:17:18ZengGrupo Español del IICGe-conservación1989-85682017-07-0111196201https://doi.org/10.37558/gec.v11i0.475Mundane beauty in art and architectureAngela Juarranz0Universidad Politecnica de MadridIn the twentieth century a specific kind of beauty emerged from art: the increased value of the mundane. Contemporary art shows that common situations have an aesthetic significance. But architecture does not pay any attention to this scope. What is more, it tries to deny it. Nor the design process nor the architectural photography show the presence of mundane things. Fortunately, we have some works to go in depth into this day-to-day issue. Let’s analyze the photograph Morning Cleaning, Mies van der Rohe Foundation, Barcelona, (Jeff Wall, 1999), the intervention Phantom, Mies as Rendered Society (Andrés Jaque, 2012) and the film Koolhaas Houselife (Ila Bêka and Louise Lemoine, 2008). By considering the visual and spatial value of these cases, we reconsider them as an experimental space. What if architecture starts looking at its surroundings?https://ge-iic.com/ojs/index.php/revista/article/view/476/778contemporary artarchitecturemundaneday-to-daysocial
spellingShingle Angela Juarranz
Mundane beauty in art and architecture
Ge-conservación
contemporary art
architecture
mundane
day-to-day
social
title Mundane beauty in art and architecture
title_full Mundane beauty in art and architecture
title_fullStr Mundane beauty in art and architecture
title_full_unstemmed Mundane beauty in art and architecture
title_short Mundane beauty in art and architecture
title_sort mundane beauty in art and architecture
topic contemporary art
architecture
mundane
day-to-day
social
url https://ge-iic.com/ojs/index.php/revista/article/view/476/778
work_keys_str_mv AT angelajuarranz mundanebeautyinartandarchitecture