Disnarration in Kazuo Ishiguro’s The Remains of the Day

This study discusses the disnarrated in Kazuo Ishiguro’s The Remains of the Day by focusing on Gerald Prince’s ideas on the disnarrated. According to Prince, disnarration refers to events that have not happened but have been mentioned in the narrative. There are two modes for representing disnarrati...

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Main Author: Sareh Khosravi
Format: Article
Language:English
Published: Petra Christian University 2022-06-01
Series:K@ta: A Biannual Publication on the Study of Language and Literature
Subjects:
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author Sareh Khosravi
author_facet Sareh Khosravi
author_sort Sareh Khosravi
collection DOAJ
description This study discusses the disnarrated in Kazuo Ishiguro’s The Remains of the Day by focusing on Gerald Prince’s ideas on the disnarrated. According to Prince, disnarration refers to events that have not happened but have been mentioned in the narrative. There are two modes for representing disnarration in the narrative of the novel: implicit and explicit. In the former, the disnarrated is represented by techniques like symbols, metonymies and foil characters. In the later, it is explicitly stated that a particular event could have happened but have not happened. However, based on Ishiguro’s preoccupation with the suppression of meaning, the majority of disnarrated narratives are implicit rather than explicit. The narrator’s implicit remarks signify his lost opportunities for the things he could have. Nearly at the ending of the novel, however, the narrator offers a more honest attitude to the readers by explicitly talking about his regrets and lost opportunities.
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spelling doaj.art-ddb5deebe391408a9729ddc65a06140d2022-12-22T03:01:43ZengPetra Christian UniversityK@ta: A Biannual Publication on the Study of Language and Literature1411-26392022-06-012412228https://doi.org/10.9744/kata.24.1.22-28Disnarration in Kazuo Ishiguro’s The Remains of the DaySareh Khosravi0PhD student at University of TehranThis study discusses the disnarrated in Kazuo Ishiguro’s The Remains of the Day by focusing on Gerald Prince’s ideas on the disnarrated. According to Prince, disnarration refers to events that have not happened but have been mentioned in the narrative. There are two modes for representing disnarration in the narrative of the novel: implicit and explicit. In the former, the disnarrated is represented by techniques like symbols, metonymies and foil characters. In the later, it is explicitly stated that a particular event could have happened but have not happened. However, based on Ishiguro’s preoccupation with the suppression of meaning, the majority of disnarrated narratives are implicit rather than explicit. The narrator’s implicit remarks signify his lost opportunities for the things he could have. Nearly at the ending of the novel, however, the narrator offers a more honest attitude to the readers by explicitly talking about his regrets and lost opportunities.disnarrationmetonymysymbolfoil charactersthe remains of the day
spellingShingle Sareh Khosravi
Disnarration in Kazuo Ishiguro’s The Remains of the Day
K@ta: A Biannual Publication on the Study of Language and Literature
disnarration
metonymy
symbol
foil characters
the remains of the day
title Disnarration in Kazuo Ishiguro’s The Remains of the Day
title_full Disnarration in Kazuo Ishiguro’s The Remains of the Day
title_fullStr Disnarration in Kazuo Ishiguro’s The Remains of the Day
title_full_unstemmed Disnarration in Kazuo Ishiguro’s The Remains of the Day
title_short Disnarration in Kazuo Ishiguro’s The Remains of the Day
title_sort disnarration in kazuo ishiguro s the remains of the day
topic disnarration
metonymy
symbol
foil characters
the remains of the day
work_keys_str_mv AT sarehkhosravi disnarrationinkazuoishigurostheremainsoftheday