Baroquemania: a counter-rationalist history of Italian art

This review discussed the emergence of the Baroque in Italian visual arts as analysed in the book Baroquemania by Laura Moure Cecchini. In this book, the author shows how the baroque is a key element of the history of post-unification Italy which has been often neglected by the relevant scholarship...

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Main Author: Francesca Billiani
Format: Article
Language:English
Published: Department of Art History, University of Birmingham 2023-12-01
Series:Journal of Art Historiography
Subjects:
Online Access:https://arthistoriography.files.wordpress.com/2023/07/billiani-rev.pdf
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author Francesca Billiani
author_facet Francesca Billiani
author_sort Francesca Billiani
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description This review discussed the emergence of the Baroque in Italian visual arts as analysed in the book Baroquemania by Laura Moure Cecchini. In this book, the author shows how the baroque is a key element of the history of post-unification Italy which has been often neglected by the relevant scholarship on the matter. By reinscribing the Baroque within the Italian national paradigm, the book contributes to rewrite an important chapter of the history of Italian art in order to question its own foundational premises of an entirely rational strive to become a modern nation-state. In this way, Baroquemania represent an important addition to the existing scholarship on the relationship between the arts and the construction of national identity.
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spelling doaj.art-ddb797921fd746499b8142075ab564d62024-02-02T11:34:18ZengDepartment of Art History, University of BirminghamJournal of Art Historiography2042-47522023-12-012929FB110.48352/uobxjah.00004305Baroquemania: a counter-rationalist history of Italian artFrancesca Billiani0Manchester UniversityThis review discussed the emergence of the Baroque in Italian visual arts as analysed in the book Baroquemania by Laura Moure Cecchini. In this book, the author shows how the baroque is a key element of the history of post-unification Italy which has been often neglected by the relevant scholarship on the matter. By reinscribing the Baroque within the Italian national paradigm, the book contributes to rewrite an important chapter of the history of Italian art in order to question its own foundational premises of an entirely rational strive to become a modern nation-state. In this way, Baroquemania represent an important addition to the existing scholarship on the relationship between the arts and the construction of national identity.https://arthistoriography.files.wordpress.com/2023/07/billiani-rev.pdfbaroqueitalian exhibitionsfuturismitalian architecturesculpture
spellingShingle Francesca Billiani
Baroquemania: a counter-rationalist history of Italian art
Journal of Art Historiography
baroque
italian exhibitions
futurism
italian architecture
sculpture
title Baroquemania: a counter-rationalist history of Italian art
title_full Baroquemania: a counter-rationalist history of Italian art
title_fullStr Baroquemania: a counter-rationalist history of Italian art
title_full_unstemmed Baroquemania: a counter-rationalist history of Italian art
title_short Baroquemania: a counter-rationalist history of Italian art
title_sort baroquemania a counter rationalist history of italian art
topic baroque
italian exhibitions
futurism
italian architecture
sculpture
url https://arthistoriography.files.wordpress.com/2023/07/billiani-rev.pdf
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