On the forms of space in the travelogues of Jozef Miloslav Hurban and Terézia Vansová

The article compares the travelogues of Jozef Miloslav Hurban (1817 – 1888) with those written by Terézia Vansová (1857 – 1942). The author treats the texts as examples of (1) the romantic national revivalist travelogue with an ideological (national) focus (Hurban’s travelogues Cesta Slováka k bratr...

Full description

Bibliographic Details
Main Author: Mariana Koliová
Format: Article
Language:ces
Published: Slovak Academy of Sciences, Institute of Slovak Literature 2023-07-01
Series:Slovenska Literatura
Subjects:
Online Access:https://www.sav.sk/journals/uploads/07100703SL_4-23-3.pdf
_version_ 1797784037523193856
author Mariana Koliová
author_facet Mariana Koliová
author_sort Mariana Koliová
collection DOAJ
description The article compares the travelogues of Jozef Miloslav Hurban (1817 – 1888) with those written by Terézia Vansová (1857 – 1942). The author treats the texts as examples of (1) the romantic national revivalist travelogue with an ideological (national) focus (Hurban’s travelogues Cesta Slováka k bratrům slavenským na Moravě a v Čechách [The journey of a Slovak to his Slavic brothers in Moravia and Bohemia 1839] 1939, 1841; Prechádzka po považskom svete [A walk in the world of Považie] 1844) and (2) its later, programmatically much sober and down to earth variation associated with the woman’s viewpoint and entertainment function (Vansová’s prose Mrs Georgiadesová on the road. A cheerful travelogue to Prague to an ethnographic exhibition [Pani Georgiadesová na cestách. Veselý cestopis do Prahy na národopisnú výstavu] 1896 – 1897). The core of the analysis is the representation of space and the nature of movement in space. While in the Romantic travelogues, there is a tendency to highlight the immaterial spiritual principle of space and to “tone down” the physicality of the traveller himself, in Vansová’s work, the body of the characters (their hunger, thirst, and fatigue) comes programmatically to the fore and clashes with the “higher” (mostly national revivalist) motives and ideals, without, however, denying them. It is a practice that is typologically very close to the strategies of post-Romantic authors who sought to break away from the poetics of the Romantics and their epigones.
first_indexed 2024-03-13T00:34:19Z
format Article
id doaj.art-ddbb6de8ac68467f871e1cede8af8fca
institution Directory Open Access Journal
issn 0037-6973
language ces
last_indexed 2024-03-13T00:34:19Z
publishDate 2023-07-01
publisher Slovak Academy of Sciences, Institute of Slovak Literature
record_format Article
series Slovenska Literatura
spelling doaj.art-ddbb6de8ac68467f871e1cede8af8fca2023-07-10T07:25:04ZcesSlovak Academy of Sciences, Institute of Slovak LiteratureSlovenska Literatura0037-69732023-07-0170437639310.31577/slovlit.2023.70.4.3On the forms of space in the travelogues of Jozef Miloslav Hurban and Terézia VansováMariana Koliová0https://orcid.org/0009-0003-8316-1554Katedra slovenskej literatúry a literárnej vedy Filozofická fakulta Univerzity KomenskéhoThe article compares the travelogues of Jozef Miloslav Hurban (1817 – 1888) with those written by Terézia Vansová (1857 – 1942). The author treats the texts as examples of (1) the romantic national revivalist travelogue with an ideological (national) focus (Hurban’s travelogues Cesta Slováka k bratrům slavenským na Moravě a v Čechách [The journey of a Slovak to his Slavic brothers in Moravia and Bohemia 1839] 1939, 1841; Prechádzka po považskom svete [A walk in the world of Považie] 1844) and (2) its later, programmatically much sober and down to earth variation associated with the woman’s viewpoint and entertainment function (Vansová’s prose Mrs Georgiadesová on the road. A cheerful travelogue to Prague to an ethnographic exhibition [Pani Georgiadesová na cestách. Veselý cestopis do Prahy na národopisnú výstavu] 1896 – 1897). The core of the analysis is the representation of space and the nature of movement in space. While in the Romantic travelogues, there is a tendency to highlight the immaterial spiritual principle of space and to “tone down” the physicality of the traveller himself, in Vansová’s work, the body of the characters (their hunger, thirst, and fatigue) comes programmatically to the fore and clashes with the “higher” (mostly national revivalist) motives and ideals, without, however, denying them. It is a practice that is typologically very close to the strategies of post-Romantic authors who sought to break away from the poetics of the Romantics and their epigones.https://www.sav.sk/journals/uploads/07100703SL_4-23-3.pdfgenre of the traveloguenational revivalist travelogueideological traveloguewomen’s traveloguejozef miloslav hurbanterézia vansovácategory of spacefigure of the travellerphysicality
spellingShingle Mariana Koliová
On the forms of space in the travelogues of Jozef Miloslav Hurban and Terézia Vansová
Slovenska Literatura
genre of the travelogue
national revivalist travelogue
ideological travelogue
women’s travelogue
jozef miloslav hurban
terézia vansová
category of space
figure of the traveller
physicality
title On the forms of space in the travelogues of Jozef Miloslav Hurban and Terézia Vansová
title_full On the forms of space in the travelogues of Jozef Miloslav Hurban and Terézia Vansová
title_fullStr On the forms of space in the travelogues of Jozef Miloslav Hurban and Terézia Vansová
title_full_unstemmed On the forms of space in the travelogues of Jozef Miloslav Hurban and Terézia Vansová
title_short On the forms of space in the travelogues of Jozef Miloslav Hurban and Terézia Vansová
title_sort on the forms of space in the travelogues of jozef miloslav hurban and terezia vansova
topic genre of the travelogue
national revivalist travelogue
ideological travelogue
women’s travelogue
jozef miloslav hurban
terézia vansová
category of space
figure of the traveller
physicality
url https://www.sav.sk/journals/uploads/07100703SL_4-23-3.pdf
work_keys_str_mv AT marianakoliova ontheformsofspaceinthetraveloguesofjozefmiloslavhurbanandtereziavansova