Ghostwriting and Spectrality in Robert Harris’s The Ghost

A critique of Tony Blair’s collaboration with George W. Bush in the War on Terror, Robert Harris’s The Ghost (2007) goes beyond its topical subject by exploring the connections between ghostwriting and spectrality. The unnamed protagonist of Harris’s novel is a professional ghostwriter who, after...

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Main Author: Robert Lance SNYDER
Format: Article
Language:English
Published: Casa Cărții de Știință 2023-12-01
Series:Cultural Intertexts
Subjects:
Online Access:https://b00e8ea91c.clvaw-cdnwnd.com/4fb470e8cbb34a32a0dc1701f8d7322d/200000480-5098450986/148-158%20Snyder.pdf
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author Robert Lance SNYDER
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description A critique of Tony Blair’s collaboration with George W. Bush in the War on Terror, Robert Harris’s The Ghost (2007) goes beyond its topical subject by exploring the connections between ghostwriting and spectrality. The unnamed protagonist of Harris’s novel is a professional ghostwriter who, after being commissioned to revamp former Prime Minister Adam Lang’s memoirs, becomes enmeshed in various forms of spectrality. While isolated with his hosts in a fortress-like compound on Martha’s Vineyard during the island’s bleak off-season, the ghostwriter experiences the Uncanny firsthand. In the end he compiles a 160,000-word book, not realizing that with the project’s completion he is signing his own death warrant by writing a work about the pursuit of truth. The novel’s coda differs from that of Roman Polanski’s 2010 film adaptation, but Harris’s narrative captures the universality of literary Gothicism.
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spelling doaj.art-dde759a1afb944a8bd629c261ab3ba332023-12-05T19:49:57ZengCasa Cărții de ȘtiințăCultural Intertexts2393-06242393-10782023-12-01131148158Ghostwriting and Spectrality in Robert Harris’s The Ghost Robert Lance SNYDER0 University of West Georgia, USAA critique of Tony Blair’s collaboration with George W. Bush in the War on Terror, Robert Harris’s The Ghost (2007) goes beyond its topical subject by exploring the connections between ghostwriting and spectrality. The unnamed protagonist of Harris’s novel is a professional ghostwriter who, after being commissioned to revamp former Prime Minister Adam Lang’s memoirs, becomes enmeshed in various forms of spectrality. While isolated with his hosts in a fortress-like compound on Martha’s Vineyard during the island’s bleak off-season, the ghostwriter experiences the Uncanny firsthand. In the end he compiles a 160,000-word book, not realizing that with the project’s completion he is signing his own death warrant by writing a work about the pursuit of truth. The novel’s coda differs from that of Roman Polanski’s 2010 film adaptation, but Harris’s narrative captures the universality of literary Gothicism.https://b00e8ea91c.clvaw-cdnwnd.com/4fb470e8cbb34a32a0dc1701f8d7322d/200000480-5098450986/148-158%20Snyder.pdfghostwritingspectralitygothicismredactionpalimpsest
spellingShingle Robert Lance SNYDER
Ghostwriting and Spectrality in Robert Harris’s The Ghost
Cultural Intertexts
ghostwriting
spectrality
gothicism
redaction
palimpsest
title Ghostwriting and Spectrality in Robert Harris’s The Ghost
title_full Ghostwriting and Spectrality in Robert Harris’s The Ghost
title_fullStr Ghostwriting and Spectrality in Robert Harris’s The Ghost
title_full_unstemmed Ghostwriting and Spectrality in Robert Harris’s The Ghost
title_short Ghostwriting and Spectrality in Robert Harris’s The Ghost
title_sort ghostwriting and spectrality in robert harris s the ghost
topic ghostwriting
spectrality
gothicism
redaction
palimpsest
url https://b00e8ea91c.clvaw-cdnwnd.com/4fb470e8cbb34a32a0dc1701f8d7322d/200000480-5098450986/148-158%20Snyder.pdf
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