The letter and the world in the fictional realm of works by S. Esenin, M. Shishkin

The article investigates the phenomenon of the letter and the word in the essay “The keys of Mary” (1918) written by A.S. Yesenin and the short-story by M.P. Shishkin “Calligraphy Lesson” (1993), and also in his essay “The Saved Language” (2001). The given articles reveals common and opposite theses...

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Main Authors: Natalya Mikhailovna Solnceva, Marina Alexandrovna Khlebus
Format: Article
Language:English
Published: Peoples’ Friendship University of Russia (RUDN University) 2018-12-01
Series:RUDN Journal of Studies in Literature and Journalism
Subjects:
Online Access:http://journals.rudn.ru/literary-criticism/article/view/18152
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author Natalya Mikhailovna Solnceva
Marina Alexandrovna Khlebus
author_facet Natalya Mikhailovna Solnceva
Marina Alexandrovna Khlebus
author_sort Natalya Mikhailovna Solnceva
collection DOAJ
description The article investigates the phenomenon of the letter and the word in the essay “The keys of Mary” (1918) written by A.S. Yesenin and the short-story by M.P. Shishkin “Calligraphy Lesson” (1993), and also in his essay “The Saved Language” (2001). The given articles reveals common and opposite theses between art and linguistic concepts proposed by Serguey Yesenin, a poet of the Silver Age, and Mikhail Shishkin, a writer of the XXI century: they both see the letter as a microcosm, point out the anthropological perception of the letter, and emphasize the creative potential of the word. Yesenin and Shishkin correlate the “living life” of the word with a consistent action, in which there is a beginning, a climax, a conclusion. The plot of “Calligraphy Lesson” develops following the graphic logic of the letter, the narrative about the life of the law writer is moving towards a full-stop. In the “Keys of Mary”, on the contrary, the alphabet plot develops as a story of individual: from the intuitive perception of self to self-discovery. With the explicit anthropological sense of the alphabet, both Yesenin and Shishkin establish their hierarchy of values where a person doesn’t play the main part. Letters and words in the Yesenin and Shishkin’s aesthetic system go far beyond the limits of their cognitive functions. Both Yesenin and Shishkin develop the idea of a word as national cultural memory. The philosophy of the words as presented by both writers is considered as following the stylistic tradition of Epiphanius the Wise.
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spelling doaj.art-de0ecf4472424359ae8de291c57b84492022-12-22T00:40:49ZengPeoples’ Friendship University of Russia (RUDN University)RUDN Journal of Studies in Literature and Journalism2312-92202312-92472018-12-01231364110.22363/2312-9220-2018-23-1-36-4116301The letter and the world in the fictional realm of works by S. Esenin, M. ShishkinNatalya Mikhailovna Solnceva0Marina Alexandrovna Khlebus1<p>Московский государственный университет им. М.В. Ломоносова</p><p>Московский государственный университет им. М.В. Ломоносова</p>The article investigates the phenomenon of the letter and the word in the essay “The keys of Mary” (1918) written by A.S. Yesenin and the short-story by M.P. Shishkin “Calligraphy Lesson” (1993), and also in his essay “The Saved Language” (2001). The given articles reveals common and opposite theses between art and linguistic concepts proposed by Serguey Yesenin, a poet of the Silver Age, and Mikhail Shishkin, a writer of the XXI century: they both see the letter as a microcosm, point out the anthropological perception of the letter, and emphasize the creative potential of the word. Yesenin and Shishkin correlate the “living life” of the word with a consistent action, in which there is a beginning, a climax, a conclusion. The plot of “Calligraphy Lesson” develops following the graphic logic of the letter, the narrative about the life of the law writer is moving towards a full-stop. In the “Keys of Mary”, on the contrary, the alphabet plot develops as a story of individual: from the intuitive perception of self to self-discovery. With the explicit anthropological sense of the alphabet, both Yesenin and Shishkin establish their hierarchy of values where a person doesn’t play the main part. Letters and words in the Yesenin and Shishkin’s aesthetic system go far beyond the limits of their cognitive functions. Both Yesenin and Shishkin develop the idea of a word as national cultural memory. The philosophy of the words as presented by both writers is considered as following the stylistic tradition of Epiphanius the Wise.http://journals.rudn.ru/literary-criticism/article/view/18152антропологиябуквабытиеЕпифаний ПремудрыйЕсенинобразсловофеноменШишкинязык
spellingShingle Natalya Mikhailovna Solnceva
Marina Alexandrovna Khlebus
The letter and the world in the fictional realm of works by S. Esenin, M. Shishkin
RUDN Journal of Studies in Literature and Journalism
антропология
буква
бытие
Епифаний Премудрый
Есенин
образ
слово
феномен
Шишкин
язык
title The letter and the world in the fictional realm of works by S. Esenin, M. Shishkin
title_full The letter and the world in the fictional realm of works by S. Esenin, M. Shishkin
title_fullStr The letter and the world in the fictional realm of works by S. Esenin, M. Shishkin
title_full_unstemmed The letter and the world in the fictional realm of works by S. Esenin, M. Shishkin
title_short The letter and the world in the fictional realm of works by S. Esenin, M. Shishkin
title_sort letter and the world in the fictional realm of works by s esenin m shishkin
topic антропология
буква
бытие
Епифаний Премудрый
Есенин
образ
слово
феномен
Шишкин
язык
url http://journals.rudn.ru/literary-criticism/article/view/18152
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