Adolfo Couve
This article focuses on the last two novels by Adolfo Couve, La comedia del arte (1996) and Cuando pienso en mi falta de cabeza (La segunda comedia), posthumously published in 2000. The article proposes an allegorical reading of the transformation of the painter Camondo into a wax statue, the protag...
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Format: | Article |
Language: | Spanish |
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Universidad de Chile
2017-11-01
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Series: | Revista Chilena de Literatura |
Online Access: | https://revistaliteratura.uchile.cl/index.php/RCL/article/view/47632 |
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author | Leonidas Morales T. |
author_facet | Leonidas Morales T. |
author_sort | Leonidas Morales T. |
collection | DOAJ |
description | This article focuses on the last two novels by Adolfo Couve, La comedia del arte (1996) and Cuando pienso en mi falta de cabeza (La segunda comedia), posthumously published in 2000. The article proposes an allegorical reading of the transformation of the painter Camondo into a wax statue, the protagonist of both novels who later loses his mind. The article argues that the loss of the mind allegorizes a quotidian time, in tune with Couve’s world, which spins and repeats itself, closed, without a horizon, a “beheaded” time (lacking future). This allows the possibility to build a coherent sense of a series of narrative forms (which include language, space, time, characters) and that, taken as a whole, show the particular way in which Couve’s narrative is built and developed. |
first_indexed | 2024-12-11T01:20:10Z |
format | Article |
id | doaj.art-de1a45fffe0442eba5b961a0cc62113e |
institution | Directory Open Access Journal |
issn | 0048-7651 0718-2295 |
language | Spanish |
last_indexed | 2024-12-11T01:20:10Z |
publishDate | 2017-11-01 |
publisher | Universidad de Chile |
record_format | Article |
series | Revista Chilena de Literatura |
spelling | doaj.art-de1a45fffe0442eba5b961a0cc62113e2022-12-22T01:25:45ZspaUniversidad de ChileRevista Chilena de Literatura0048-76510718-22952017-11-0196228130147632Adolfo CouveLeonidas Morales T.0Universidad de Chile, Santiago de ChileThis article focuses on the last two novels by Adolfo Couve, La comedia del arte (1996) and Cuando pienso en mi falta de cabeza (La segunda comedia), posthumously published in 2000. The article proposes an allegorical reading of the transformation of the painter Camondo into a wax statue, the protagonist of both novels who later loses his mind. The article argues that the loss of the mind allegorizes a quotidian time, in tune with Couve’s world, which spins and repeats itself, closed, without a horizon, a “beheaded” time (lacking future). This allows the possibility to build a coherent sense of a series of narrative forms (which include language, space, time, characters) and that, taken as a whole, show the particular way in which Couve’s narrative is built and developed.https://revistaliteratura.uchile.cl/index.php/RCL/article/view/47632 |
spellingShingle | Leonidas Morales T. Adolfo Couve Revista Chilena de Literatura |
title | Adolfo Couve |
title_full | Adolfo Couve |
title_fullStr | Adolfo Couve |
title_full_unstemmed | Adolfo Couve |
title_short | Adolfo Couve |
title_sort | adolfo couve |
url | https://revistaliteratura.uchile.cl/index.php/RCL/article/view/47632 |
work_keys_str_mv | AT leonidasmoralest adolfocouve |