Adolfo Couve

This article focuses on the last two novels by Adolfo Couve, La comedia del arte (1996) and Cuando pienso en mi falta de cabeza (La segunda comedia), posthumously published in 2000. The article proposes an allegorical reading of the transformation of the painter Camondo into a wax statue, the protag...

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Main Author: Leonidas Morales T.
Format: Article
Language:Spanish
Published: Universidad de Chile 2017-11-01
Series:Revista Chilena de Literatura
Online Access:https://revistaliteratura.uchile.cl/index.php/RCL/article/view/47632
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author Leonidas Morales T.
author_facet Leonidas Morales T.
author_sort Leonidas Morales T.
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description This article focuses on the last two novels by Adolfo Couve, La comedia del arte (1996) and Cuando pienso en mi falta de cabeza (La segunda comedia), posthumously published in 2000. The article proposes an allegorical reading of the transformation of the painter Camondo into a wax statue, the protagonist of both novels who later loses his mind. The article argues that the loss of the mind allegorizes a quotidian time, in tune with Couve’s world, which spins and repeats itself, closed, without a horizon, a “beheaded” time (lacking future). This allows the possibility to build a coherent sense of a series of narrative forms (which include language, space, time, characters) and that, taken as a whole, show the particular way in which Couve’s narrative is built and developed.
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spelling doaj.art-de1a45fffe0442eba5b961a0cc62113e2022-12-22T01:25:45ZspaUniversidad de ChileRevista Chilena de Literatura0048-76510718-22952017-11-0196228130147632Adolfo CouveLeonidas Morales T.0Universidad de Chile, Santiago de ChileThis article focuses on the last two novels by Adolfo Couve, La comedia del arte (1996) and Cuando pienso en mi falta de cabeza (La segunda comedia), posthumously published in 2000. The article proposes an allegorical reading of the transformation of the painter Camondo into a wax statue, the protagonist of both novels who later loses his mind. The article argues that the loss of the mind allegorizes a quotidian time, in tune with Couve’s world, which spins and repeats itself, closed, without a horizon, a “beheaded” time (lacking future). This allows the possibility to build a coherent sense of a series of narrative forms (which include language, space, time, characters) and that, taken as a whole, show the particular way in which Couve’s narrative is built and developed.https://revistaliteratura.uchile.cl/index.php/RCL/article/view/47632
spellingShingle Leonidas Morales T.
Adolfo Couve
Revista Chilena de Literatura
title Adolfo Couve
title_full Adolfo Couve
title_fullStr Adolfo Couve
title_full_unstemmed Adolfo Couve
title_short Adolfo Couve
title_sort adolfo couve
url https://revistaliteratura.uchile.cl/index.php/RCL/article/view/47632
work_keys_str_mv AT leonidasmoralest adolfocouve