Instant Composition: choreographic training of the dance artist and his corporeality
The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both...
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Format: | Article |
Language: | English |
Published: |
Universidade Federal do Rio Grande do Sul
2018-03-01
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Series: | Revista Brasileira de Estudos da Presença |
Subjects: |
_version_ | 1818293611490443264 |
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author | Maíra Simões Claudino Santos |
author_facet | Maíra Simões Claudino Santos |
author_sort | Maíra Simões Claudino Santos |
collection | DOAJ |
description | The article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence - are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns. |
first_indexed | 2024-12-13T03:18:36Z |
format | Article |
id | doaj.art-de24afc2698f4c64b01a4d971116e53b |
institution | Directory Open Access Journal |
issn | 2237-2660 |
language | English |
last_indexed | 2024-12-13T03:18:36Z |
publishDate | 2018-03-01 |
publisher | Universidade Federal do Rio Grande do Sul |
record_format | Article |
series | Revista Brasileira de Estudos da Presença |
spelling | doaj.art-de24afc2698f4c64b01a4d971116e53b2022-12-22T00:01:25ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602018-03-01080116719310.1590/2237-266063624Instant Composition: choreographic training of the dance artist and his corporealityMaíra Simões Claudino Santos0OTHER THEMES Instant Composition: choreographic training of the dance artist and his corporeality Maíra Simões Claudino SantosI IThe article discusses the training and development of the dance artist’s corporeality drawing primarily from the bodily practices related to the work of instant composition, proposed by the British choreographer Julyen Hamilton. For that purpose, a field study of artistic practice was conducted both in the studio and over the workshops. Some of the categories emerging from the analysis of the data collected - quality of movement, reflective arenas and presence - are presented and discussed. This study further suggests ways of working up the body and the choreographic training that lead to an autonomous body, where exercises become performances, out of normative patterns.HamiltonInstant CompositionTrainingCorporealityDance |
spellingShingle | Maíra Simões Claudino Santos Instant Composition: choreographic training of the dance artist and his corporeality Revista Brasileira de Estudos da Presença Hamilton Instant Composition Training Corporeality Dance |
title | Instant Composition: choreographic training of the dance artist and his corporeality |
title_full | Instant Composition: choreographic training of the dance artist and his corporeality |
title_fullStr | Instant Composition: choreographic training of the dance artist and his corporeality |
title_full_unstemmed | Instant Composition: choreographic training of the dance artist and his corporeality |
title_short | Instant Composition: choreographic training of the dance artist and his corporeality |
title_sort | instant composition choreographic training of the dance artist and his corporeality |
topic | Hamilton Instant Composition Training Corporeality Dance |
work_keys_str_mv | AT mairasimoesclaudinosantos instantcompositionchoreographictrainingofthedanceartistandhiscorporeality |