Les deux confessions dans les dernières pièces de Bernard-Marie Koltès

Two Kind of Confessions in Bernard-Marie Koltès Last Plays We can find two kinds of confession in Bernard-Marie Koltès’s last plays (1977-1988). We have defined the first one as the confession-labyrinth because the characters use it to hide their intentions and to puzzle their interlocutors. Throug...

Full description

Bibliographic Details
Main Author: Filippo Bruschi
Format: Article
Language:English
Published: UArtPres 2020-10-01
Series:Symbolon
Subjects:
Online Access:http://uartpress.ro/journals/index.php/symbolon/article/view/164
_version_ 1797947992936808448
author Filippo Bruschi
author_facet Filippo Bruschi
author_sort Filippo Bruschi
collection DOAJ
description Two Kind of Confessions in Bernard-Marie Koltès Last Plays We can find two kinds of confession in Bernard-Marie Koltès’s last plays (1977-1988). We have defined the first one as the confession-labyrinth because the characters use it to hide their intentions and to puzzle their interlocutors. Through this kind of confession, Koltès shows his lack of trust in respect of language and his power to change the human condition. The confession-labyrinth grows in importance between “The night just before the forest” (1977) and “The Solitude of cotton fields” (1986). The second kind of confession, the factual confession, reveals a social and economic reality. And his importance seems to decrease between “The Night just before the forest” and “The Solitude in the cotton fields”. The result of these two confessions’ crossing evolution is “Roberto Zucco” (1988), Koltes’s last play, where the author achieves his journey from the hope of a social change to nihilism.
first_indexed 2024-04-10T21:36:26Z
format Article
id doaj.art-de5cc33bc0134d8785581f14efcaa9d3
institution Directory Open Access Journal
issn 1582-327X
2344-4460
language English
last_indexed 2024-04-10T21:36:26Z
publishDate 2020-10-01
publisher UArtPres
record_format Article
series Symbolon
spelling doaj.art-de5cc33bc0134d8785581f14efcaa9d32023-01-19T11:52:22ZengUArtPresSymbolon1582-327X2344-44602020-10-01162(29)512164Les deux confessions dans les dernières pièces de Bernard-Marie KoltèsFilippo BruschiTwo Kind of Confessions in Bernard-Marie Koltès Last Plays We can find two kinds of confession in Bernard-Marie Koltès’s last plays (1977-1988). We have defined the first one as the confession-labyrinth because the characters use it to hide their intentions and to puzzle their interlocutors. Through this kind of confession, Koltès shows his lack of trust in respect of language and his power to change the human condition. The confession-labyrinth grows in importance between “The night just before the forest” (1977) and “The Solitude of cotton fields” (1986). The second kind of confession, the factual confession, reveals a social and economic reality. And his importance seems to decrease between “The Night just before the forest” and “The Solitude in the cotton fields”. The result of these two confessions’ crossing evolution is “Roberto Zucco” (1988), Koltes’s last play, where the author achieves his journey from the hope of a social change to nihilism.http://uartpress.ro/journals/index.php/symbolon/article/view/164koltèsnihilism
spellingShingle Filippo Bruschi
Les deux confessions dans les dernières pièces de Bernard-Marie Koltès
Symbolon
koltès
nihilism
title Les deux confessions dans les dernières pièces de Bernard-Marie Koltès
title_full Les deux confessions dans les dernières pièces de Bernard-Marie Koltès
title_fullStr Les deux confessions dans les dernières pièces de Bernard-Marie Koltès
title_full_unstemmed Les deux confessions dans les dernières pièces de Bernard-Marie Koltès
title_short Les deux confessions dans les dernières pièces de Bernard-Marie Koltès
title_sort les deux confessions dans les dernieres pieces de bernard marie koltes
topic koltès
nihilism
url http://uartpress.ro/journals/index.php/symbolon/article/view/164
work_keys_str_mv AT filippobruschi lesdeuxconfessionsdanslesdernierespiecesdebernardmariekoltes