The Swinging Woman. Phaedra and Swing in Classical Greece.

In classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Helle...

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Main Authors: Federica Doria, Marco Giuman
Format: Article
Language:deu
Published: UNICApress 2016-07-01
Series:Medea
Subjects:
Online Access:https://ojs.unica.it/index.php/medea/article/view/2444
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author Federica Doria
Marco Giuman
author_facet Federica Doria
Marco Giuman
author_sort Federica Doria
collection DOAJ
description In classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Hellenic artistic repertoires. There is however an interesting exception: the pictures painted by Polygnotos for the Lesche of the Cnidians at Delphoi, where Phaedra is on a swing. The annotation of Pausania is by no means  secondary: it is common knowledge, as the myths of Erigon or Charila show, that there is a very close symbolic connection between the swing and the hanging, which is also how Phaedra chooses to kill herself. But the binomial swing/hanging, mainly related to sexual relations by ancient sources, also represents symbolically the kind of death enacted in female puberty rituals.
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spelling doaj.art-de989d5e5ffb43eb827e5b04cbc9a9a32023-09-02T12:03:42ZdeuUNICApressMedea2421-58212016-07-012110.13125/medea-24441636The Swinging Woman. Phaedra and Swing in Classical Greece.Federica Doria0Marco Giuman1University of CagliariUniversity of CagliariIn classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Hellenic artistic repertoires. There is however an interesting exception: the pictures painted by Polygnotos for the Lesche of the Cnidians at Delphoi, where Phaedra is on a swing. The annotation of Pausania is by no means  secondary: it is common knowledge, as the myths of Erigon or Charila show, that there is a very close symbolic connection between the swing and the hanging, which is also how Phaedra chooses to kill herself. But the binomial swing/hanging, mainly related to sexual relations by ancient sources, also represents symbolically the kind of death enacted in female puberty rituals.https://ojs.unica.it/index.php/medea/article/view/2444PhaedraSwingHangingAioraAnthesteria
spellingShingle Federica Doria
Marco Giuman
The Swinging Woman. Phaedra and Swing in Classical Greece.
Medea
Phaedra
Swing
Hanging
Aiora
Anthesteria
title The Swinging Woman. Phaedra and Swing in Classical Greece.
title_full The Swinging Woman. Phaedra and Swing in Classical Greece.
title_fullStr The Swinging Woman. Phaedra and Swing in Classical Greece.
title_full_unstemmed The Swinging Woman. Phaedra and Swing in Classical Greece.
title_short The Swinging Woman. Phaedra and Swing in Classical Greece.
title_sort swinging woman phaedra and swing in classical greece
topic Phaedra
Swing
Hanging
Aiora
Anthesteria
url https://ojs.unica.it/index.php/medea/article/view/2444
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