The Swinging Woman. Phaedra and Swing in Classical Greece.
In classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Helle...
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Format: | Article |
Language: | deu |
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UNICApress
2016-07-01
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Series: | Medea |
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Online Access: | https://ojs.unica.it/index.php/medea/article/view/2444 |
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author | Federica Doria Marco Giuman |
author_facet | Federica Doria Marco Giuman |
author_sort | Federica Doria |
collection | DOAJ |
description | In classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Hellenic artistic repertoires. There is however an interesting exception: the pictures painted by Polygnotos for the Lesche of the Cnidians at Delphoi, where Phaedra is on a swing. The annotation of Pausania is by no means secondary: it is common knowledge, as the myths of Erigon or Charila show, that there is a very close symbolic connection between the swing and the hanging, which is also how Phaedra chooses to kill herself. But the binomial swing/hanging, mainly related to sexual relations by ancient sources, also represents symbolically the kind of death enacted in female puberty rituals. |
first_indexed | 2024-03-12T09:57:51Z |
format | Article |
id | doaj.art-de989d5e5ffb43eb827e5b04cbc9a9a3 |
institution | Directory Open Access Journal |
issn | 2421-5821 |
language | deu |
last_indexed | 2024-03-12T09:57:51Z |
publishDate | 2016-07-01 |
publisher | UNICApress |
record_format | Article |
series | Medea |
spelling | doaj.art-de989d5e5ffb43eb827e5b04cbc9a9a32023-09-02T12:03:42ZdeuUNICApressMedea2421-58212016-07-012110.13125/medea-24441636The Swinging Woman. Phaedra and Swing in Classical Greece.Federica Doria0Marco Giuman1University of CagliariUniversity of CagliariIn classical myth Phaedra plays a particular role: a main figure in ancient literature (Euripides, Ovid, Seneca write extensively about her vicissitudes), she occupies a very limited space in the artistic repertoire of the classical world. In the Greek world, Phaedra’s figure is unknown to the Hellenic artistic repertoires. There is however an interesting exception: the pictures painted by Polygnotos for the Lesche of the Cnidians at Delphoi, where Phaedra is on a swing. The annotation of Pausania is by no means secondary: it is common knowledge, as the myths of Erigon or Charila show, that there is a very close symbolic connection between the swing and the hanging, which is also how Phaedra chooses to kill herself. But the binomial swing/hanging, mainly related to sexual relations by ancient sources, also represents symbolically the kind of death enacted in female puberty rituals.https://ojs.unica.it/index.php/medea/article/view/2444PhaedraSwingHangingAioraAnthesteria |
spellingShingle | Federica Doria Marco Giuman The Swinging Woman. Phaedra and Swing in Classical Greece. Medea Phaedra Swing Hanging Aiora Anthesteria |
title | The Swinging Woman. Phaedra and Swing in Classical Greece. |
title_full | The Swinging Woman. Phaedra and Swing in Classical Greece. |
title_fullStr | The Swinging Woman. Phaedra and Swing in Classical Greece. |
title_full_unstemmed | The Swinging Woman. Phaedra and Swing in Classical Greece. |
title_short | The Swinging Woman. Phaedra and Swing in Classical Greece. |
title_sort | swinging woman phaedra and swing in classical greece |
topic | Phaedra Swing Hanging Aiora Anthesteria |
url | https://ojs.unica.it/index.php/medea/article/view/2444 |
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