Sensing Religion in Alfonso Cuarón’s “Children of Men”
This essay attends closely to the affective excess of Children of Men, arguing that this excess generates two modalities of religion—nostalgic and emergent—primarily through a sensitive use of color and music. These affective religious modalities are justly termed “religion” not only because they ar...
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| Format: | Article |
| Language: | English |
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MDPI AG
2015-12-01
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| Series: | Religions |
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| Online Access: | http://www.mdpi.com/2077-1444/6/4/1433 |