Copycat: Duplication and Creation in American Psycho and Lunar Park by Bret Easton Ellis

As the hypotext of Lunar Park (2005), American Psycho (1991) provides many interpretative keys to Bret Easton Ellis’s pseudo autobiographical work. In harmony with the playful spirit of postmodernism, the diegetic author behaves like the conjurers who disclose the tricks of their trade without dest...

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Main Author: Frédéric Dumas
Format: Article
Language:English
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2008-06-01
Series:ELOPE
Subjects:
Online Access:https://journals.uni-lj.si/elope/article/view/3306
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author Frédéric Dumas
author_facet Frédéric Dumas
author_sort Frédéric Dumas
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description As the hypotext of Lunar Park (2005), American Psycho (1991) provides many interpretative keys to Bret Easton Ellis’s pseudo autobiographical work. In harmony with the playful spirit of postmodernism, the diegetic author behaves like the conjurers who disclose the tricks of their trade without destroying the essence of their magic. His universe is greatly identical to that of his fiction and the summaries of his preceding books duplicate the same text, thereby questioning the nature of creation. This paper starts by bringing to light Ellis’s conjuring tricks, before considering the relevance of a commodified persona in the context of a fin de siecle dominated by the emblematic figure of the yuppie as a grotesque dandy. The last part uses the final image of American Psycho and its transparent reference to one of Magritte’s most famous paintings in order to draw a parallel between Ellis’s creative process and the painter’s.  
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spelling doaj.art-dedcd0ff7597436898119b8986a429de2023-01-18T09:33:32ZengUniversity of Ljubljana Press (Založba Univerze v Ljubljani)ELOPE1581-89182386-03162008-06-0151-210.4312/elope.5.1-2.101-112Copycat: Duplication and Creation in American Psycho and Lunar Park by Bret Easton EllisFrédéric Dumas0Grenoble University As the hypotext of Lunar Park (2005), American Psycho (1991) provides many interpretative keys to Bret Easton Ellis’s pseudo autobiographical work. In harmony with the playful spirit of postmodernism, the diegetic author behaves like the conjurers who disclose the tricks of their trade without destroying the essence of their magic. His universe is greatly identical to that of his fiction and the summaries of his preceding books duplicate the same text, thereby questioning the nature of creation. This paper starts by bringing to light Ellis’s conjuring tricks, before considering the relevance of a commodified persona in the context of a fin de siecle dominated by the emblematic figure of the yuppie as a grotesque dandy. The last part uses the final image of American Psycho and its transparent reference to one of Magritte’s most famous paintings in order to draw a parallel between Ellis’s creative process and the painter’s.   https://journals.uni-lj.si/elope/article/view/3306EllisMagritteautobiographypersonacommodificationtrick
spellingShingle Frédéric Dumas
Copycat: Duplication and Creation in American Psycho and Lunar Park by Bret Easton Ellis
ELOPE
Ellis
Magritte
autobiography
persona
commodification
trick
title Copycat: Duplication and Creation in American Psycho and Lunar Park by Bret Easton Ellis
title_full Copycat: Duplication and Creation in American Psycho and Lunar Park by Bret Easton Ellis
title_fullStr Copycat: Duplication and Creation in American Psycho and Lunar Park by Bret Easton Ellis
title_full_unstemmed Copycat: Duplication and Creation in American Psycho and Lunar Park by Bret Easton Ellis
title_short Copycat: Duplication and Creation in American Psycho and Lunar Park by Bret Easton Ellis
title_sort copycat duplication and creation in american psycho and lunar park by bret easton ellis
topic Ellis
Magritte
autobiography
persona
commodification
trick
url https://journals.uni-lj.si/elope/article/view/3306
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