The conception of the body in the performance as “interpretation”

The performance is an artistic phenomenon which has specific characteristics that make order inquiry theoretical and aesthetic appreciation. However, the traditional conception with which it has been understood for much of the history of theatre in the West dependent it on outside elucidation parame...

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Main Author: Karina Mariel Mauro
Format: Article
Language:Spanish
Published: Universidad de Córdova; Consejo Nacional de Investigaciones Científicas y Técnicas 2010-08-01
Series:Revista Latinoamericana de Estudios sobre Cuerpos, Emociones y Sociedad
Subjects:
Online Access:http://relaces.com.ar/index.php/relaces/article/view/77
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author Karina Mariel Mauro
author_facet Karina Mariel Mauro
author_sort Karina Mariel Mauro
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description The performance is an artistic phenomenon which has specific characteristics that make order inquiry theoretical and aesthetic appreciation. However, the traditional conception with which it has been understood for much of the history of theatre in the West dependent it on outside elucidation parameters. Largely, dismissal of the action as artistic activity, is dependent on the actor's subject as mere "interpreter", and dualistic conception of the body associated with the same characterization. In this paper, we discuss these assumptions in order to overcome them critically, because we believe that this task is essential, with a view to the further elaboration of a theory of the actor, sustained by specific parameters.
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spelling doaj.art-df3eb8fe88114b1db940d72b0b6245c92022-12-22T01:38:41ZspaUniversidad de Córdova; Consejo Nacional de Investigaciones Científicas y TécnicasRevista Latinoamericana de Estudios sobre Cuerpos, Emociones y Sociedad1852-87592010-08-0114294054The conception of the body in the performance as “interpretation”Karina Mariel Mauro0UBAThe performance is an artistic phenomenon which has specific characteristics that make order inquiry theoretical and aesthetic appreciation. However, the traditional conception with which it has been understood for much of the history of theatre in the West dependent it on outside elucidation parameters. Largely, dismissal of the action as artistic activity, is dependent on the actor's subject as mere "interpreter", and dualistic conception of the body associated with the same characterization. In this paper, we discuss these assumptions in order to overcome them critically, because we believe that this task is essential, with a view to the further elaboration of a theory of the actor, sustained by specific parameters.http://relaces.com.ar/index.php/relaces/article/view/77CuerpoActuaciónIntérpreteDualismoRepresentación
spellingShingle Karina Mariel Mauro
The conception of the body in the performance as “interpretation”
Revista Latinoamericana de Estudios sobre Cuerpos, Emociones y Sociedad
Cuerpo
Actuación
Intérprete
Dualismo
Representación
title The conception of the body in the performance as “interpretation”
title_full The conception of the body in the performance as “interpretation”
title_fullStr The conception of the body in the performance as “interpretation”
title_full_unstemmed The conception of the body in the performance as “interpretation”
title_short The conception of the body in the performance as “interpretation”
title_sort conception of the body in the performance as interpretation
topic Cuerpo
Actuación
Intérprete
Dualismo
Representación
url http://relaces.com.ar/index.php/relaces/article/view/77
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