A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg

This article discusses the issue of the pictorial gesture potency in Carolee Schneemann’s creating process and how her use of herself body allowed her to question whether she could, in addition to an image be also an image maker: a poetic and theoretical juxtaposition at the same time, which causes...

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Main Author: Vera Pugliese
Format: Article
Language:English
Published: Universidade Federal do Rio Grande do Sul 2021-01-01
Series:Revista Brasileira de Estudos da Presença
Subjects:
Online Access:https://seer.ufrgs.br/index.php/presenca/article/view/109303
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author Vera Pugliese
author_facet Vera Pugliese
author_sort Vera Pugliese
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description This article discusses the issue of the pictorial gesture potency in Carolee Schneemann’s creating process and how her use of herself body allowed her to question whether she could, in addition to an image be also an image maker: a poetic and theoretical juxtaposition at the same time, which causes specific displacements in her performative work. This study aims to correlate operatory concepts around the nymph as a theoretical object, with special attention to its accessories in movement, in the Warburgian sense, from the examination of iconological paths and theoretical approaches inaugurated by Aby Warburg, having as focus the crossings between painting and the body arts
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spelling doaj.art-df66ede5680a451995b6ceffc6cb499a2022-12-22T04:27:09ZengUniversidade Federal do Rio Grande do SulRevista Brasileira de Estudos da Presença2237-26602021-01-01111A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby WarburgVera Pugliese0Universidade de BrasíliaThis article discusses the issue of the pictorial gesture potency in Carolee Schneemann’s creating process and how her use of herself body allowed her to question whether she could, in addition to an image be also an image maker: a poetic and theoretical juxtaposition at the same time, which causes specific displacements in her performative work. This study aims to correlate operatory concepts around the nymph as a theoretical object, with special attention to its accessories in movement, in the Warburgian sense, from the examination of iconological paths and theoretical approaches inaugurated by Aby Warburg, having as focus the crossings between painting and the body artshttps://seer.ufrgs.br/index.php/presenca/article/view/109303Performance and PaintingPathosformelnContemporary PoeticsCarolee SchneemannAby Warburg
spellingShingle Vera Pugliese
A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg
Revista Brasileira de Estudos da Presença
Performance and Painting
Pathosformeln
Contemporary Poetics
Carolee Schneemann
Aby Warburg
title A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg
title_full A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg
title_fullStr A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg
title_full_unstemmed A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg
title_short A Creative Process between Painting and Body Arts: Carolee Schneemann and Aby Warburg
title_sort creative process between painting and body arts carolee schneemann and aby warburg
topic Performance and Painting
Pathosformeln
Contemporary Poetics
Carolee Schneemann
Aby Warburg
url https://seer.ufrgs.br/index.php/presenca/article/view/109303
work_keys_str_mv AT verapugliese acreativeprocessbetweenpaintingandbodyartscaroleeschneemannandabywarburg
AT verapugliese creativeprocessbetweenpaintingandbodyartscaroleeschneemannandabywarburg