Representaciones éticas de masculinidades hegemónicas
This work explores the role of the North Border theater in the mythology of the drug trafficker; that is to say, it analyzes through which traits the drug traffickers in the studied works intend to build their masculinities and if these coincide with the portrait that the authorities are interested...
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| Format: | Article |
| Language: | English |
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OpenEdition
2023-11-01
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| Series: | Recherches |
| Subjects: | |
| Online Access: | http://journals.openedition.org/cher/15890 |
| _version_ | 1827594247762608128 |
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| author | Zaida Godoy Navarro |
| author_facet | Zaida Godoy Navarro |
| author_sort | Zaida Godoy Navarro |
| collection | DOAJ |
| description | This work explores the role of the North Border theater in the mythology of the drug trafficker; that is to say, it analyzes through which traits the drug traffickers in the studied works intend to build their masculinities and if these coincide with the portrait that the authorities are interested in disseminating. Specifically, she analyze Guerrero Negro (1988) and Fugitivos (1992) by Víctor Hugo Rascón Banda, La zona del silencio (2002) by Antonio Zúñiga, and Yamaha 300 (2004) by Cutberto López. It will point to how, the deeper we go into the 21st century, the greater the empathic distance towards drug traffickers, since the hedonism and ultraviolence of the most contemporary characters depoliticize the works. |
| first_indexed | 2024-03-09T02:30:02Z |
| format | Article |
| id | doaj.art-df842e8965ca448bb960aa1e45df001f |
| institution | Directory Open Access Journal |
| issn | 1968-035X 2803-5992 |
| language | English |
| last_indexed | 2024-03-09T02:30:02Z |
| publishDate | 2023-11-01 |
| publisher | OpenEdition |
| record_format | Article |
| series | Recherches |
| spelling | doaj.art-df842e8965ca448bb960aa1e45df001f2023-12-06T15:34:15ZengOpenEditionRecherches1968-035X2803-59922023-11-01319310710.4000/cher.15890Representaciones éticas de masculinidades hegemónicasZaida Godoy NavarroThis work explores the role of the North Border theater in the mythology of the drug trafficker; that is to say, it analyzes through which traits the drug traffickers in the studied works intend to build their masculinities and if these coincide with the portrait that the authorities are interested in disseminating. Specifically, she analyze Guerrero Negro (1988) and Fugitivos (1992) by Víctor Hugo Rascón Banda, La zona del silencio (2002) by Antonio Zúñiga, and Yamaha 300 (2004) by Cutberto López. It will point to how, the deeper we go into the 21st century, the greater the empathic distance towards drug traffickers, since the hedonism and ultraviolence of the most contemporary characters depoliticize the works.http://journals.openedition.org/cher/15890masculinitiesnarcotheaterborderMexico |
| spellingShingle | Zaida Godoy Navarro Representaciones éticas de masculinidades hegemónicas Recherches masculinities narco theater border Mexico |
| title | Representaciones éticas de masculinidades hegemónicas |
| title_full | Representaciones éticas de masculinidades hegemónicas |
| title_fullStr | Representaciones éticas de masculinidades hegemónicas |
| title_full_unstemmed | Representaciones éticas de masculinidades hegemónicas |
| title_short | Representaciones éticas de masculinidades hegemónicas |
| title_sort | representaciones eticas de masculinidades hegemonicas |
| topic | masculinities narco theater border Mexico |
| url | http://journals.openedition.org/cher/15890 |
| work_keys_str_mv | AT zaidagodoynavarro representacioneseticasdemasculinidadeshegemonicas |