Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)
The hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mo...
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| Format: | Article |
| Language: | English |
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Centre de Recherches sur les Mondes Américains
2012-03-01
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| Series: | Nuevo mundo - Mundos Nuevos |
| Subjects: | |
| Online Access: | https://journals.openedition.org/nuevomundo/62884 |
| _version_ | 1797307236190519296 |
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| author | Tzvi Tal |
| author_facet | Tzvi Tal |
| author_sort | Tzvi Tal |
| collection | DOAJ |
| description | The hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mortem (2010), well received by critics and international festivals, did not had a public success in Chile. Despite they are consistent with the hegemonic discourse about memory, both violate the inclination to oblivion violence prioritized by it. |
| first_indexed | 2024-03-08T00:54:18Z |
| format | Article |
| id | doaj.art-df8c3956bf924a43b7a1e14925d757c5 |
| institution | Directory Open Access Journal |
| issn | 1626-0252 |
| language | English |
| last_indexed | 2024-03-08T00:54:18Z |
| publishDate | 2012-03-01 |
| publisher | Centre de Recherches sur les Mondes Américains |
| record_format | Article |
| series | Nuevo mundo - Mundos Nuevos |
| spelling | doaj.art-df8c3956bf924a43b7a1e14925d757c52024-02-14T16:54:11ZengCentre de Recherches sur les Mondes AméricainsNuevo mundo - Mundos Nuevos1626-02522012-03-0110.4000/nuevomundo.62884Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010)Tzvi TalThe hegemonic memory of the seizure of power in Chile by the rebellion of General Augusto Pinochet, manifests a symmetrical ambivalent vision that supports the continuity under democracy of the neoliberal project imposed by the dictatorship. The films of Pablo Larraín, Tony Manero (2007) and Post Mortem (2010), well received by critics and international festivals, did not had a public success in Chile. Despite they are consistent with the hegemonic discourse about memory, both violate the inclination to oblivion violence prioritized by it.https://journals.openedition.org/nuevomundo/62884memoryChiledemocracycinema21th centurytransition |
| spellingShingle | Tzvi Tal Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) Nuevo mundo - Mundos Nuevos memory Chile democracy cinema 21th century transition |
| title | Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
| title_full | Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
| title_fullStr | Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
| title_full_unstemmed | Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
| title_short | Memoria y muerte. La dictadura de Pinochet en las películas de Pablo Larraín: Tony Manero (2007) y Post Mortem (2010) |
| title_sort | memoria y muerte la dictadura de pinochet en las peliculas de pablo larrain tony manero 2007 y post mortem 2010 |
| topic | memory Chile democracy cinema 21th century transition |
| url | https://journals.openedition.org/nuevomundo/62884 |
| work_keys_str_mv | AT tzvital memoriaymuerteladictaduradepinochetenlaspeliculasdepablolarraintonymanero2007ypostmortem2010 |