The Annunciation from the Monastery of Caleruega (Burgos): contextualisation in the Late Middle Ages of the Iberian Peninsula

The Annunciation from the Monastery of Santo Domingo of Caleruega, founded by Alfonso X the Wise, has remained virtually forgotten by the Spanish historiography. Isolated behind the walls of the cloister, the sculpture group presents a particularity that hasn’t been properly analyzed for too long: t...

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Main Author: Tomás Ibáñez Palomo
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2015-12-01
Series:Anales de Historia del Arte
Subjects:
Online Access:http://revistasculturales.ucm.es/index.php/ANHA/article/view/50849
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author Tomás Ibáñez Palomo
author_facet Tomás Ibáñez Palomo
author_sort Tomás Ibáñez Palomo
collection DOAJ
description The Annunciation from the Monastery of Santo Domingo of Caleruega, founded by Alfonso X the Wise, has remained virtually forgotten by the Spanish historiography. Isolated behind the walls of the cloister, the sculpture group presents a particularity that hasn’t been properly analyzed for too long: the Virgin is pregnant. The amount of recorded examples of the same nature shows that this kind of representations was common in some kingdoms of the Iberian Peninsula during the Late Middle Ages. From an essentially iconographic perspective, but without giving up further approaches, this paper provides an in-depth study on the singularity of the Annunciation from Caleruega. At the same time, it becomes the starting point for a comprehensive analysis of this variant of the Angelic Salutation.
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spelling doaj.art-df9bce2f3f4d40fba97a403a721cc7a82022-12-22T01:27:00ZengUniversidad Complutense de MadridAnales de Historia del Arte0214-64521988-24912015-12-01250194910.5209/rev_ANHA.2015.v25.5084948294The Annunciation from the Monastery of Caleruega (Burgos): contextualisation in the Late Middle Ages of the Iberian PeninsulaTomás Ibáñez Palomo0Universidad Complutense de MadridThe Annunciation from the Monastery of Santo Domingo of Caleruega, founded by Alfonso X the Wise, has remained virtually forgotten by the Spanish historiography. Isolated behind the walls of the cloister, the sculpture group presents a particularity that hasn’t been properly analyzed for too long: the Virgin is pregnant. The amount of recorded examples of the same nature shows that this kind of representations was common in some kingdoms of the Iberian Peninsula during the Late Middle Ages. From an essentially iconographic perspective, but without giving up further approaches, this paper provides an in-depth study on the singularity of the Annunciation from Caleruega. At the same time, it becomes the starting point for a comprehensive analysis of this variant of the Angelic Salutation.http://revistasculturales.ucm.es/index.php/ANHA/article/view/50849arte medievaliconografíaanunciación preñadaescultura góticaarte españolarte portugués
spellingShingle Tomás Ibáñez Palomo
The Annunciation from the Monastery of Caleruega (Burgos): contextualisation in the Late Middle Ages of the Iberian Peninsula
Anales de Historia del Arte
arte medieval
iconografía
anunciación preñada
escultura gótica
arte español
arte portugués
title The Annunciation from the Monastery of Caleruega (Burgos): contextualisation in the Late Middle Ages of the Iberian Peninsula
title_full The Annunciation from the Monastery of Caleruega (Burgos): contextualisation in the Late Middle Ages of the Iberian Peninsula
title_fullStr The Annunciation from the Monastery of Caleruega (Burgos): contextualisation in the Late Middle Ages of the Iberian Peninsula
title_full_unstemmed The Annunciation from the Monastery of Caleruega (Burgos): contextualisation in the Late Middle Ages of the Iberian Peninsula
title_short The Annunciation from the Monastery of Caleruega (Burgos): contextualisation in the Late Middle Ages of the Iberian Peninsula
title_sort annunciation from the monastery of caleruega burgos contextualisation in the late middle ages of the iberian peninsula
topic arte medieval
iconografía
anunciación preñada
escultura gótica
arte español
arte portugués
url http://revistasculturales.ucm.es/index.php/ANHA/article/view/50849
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