A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments
Some twenty ivory stringed instruments preserved in three main collections and corresponding to an instrumentarium in use at the end of the Middle Ages and the beginning of the Renaissance form a very homogeneous group. These instruments seem to have been made by the same workshop at the very end of...
| Main Author: | |
|---|---|
| Format: | Article |
| Language: | deu |
| Published: |
ZRC SAZU, Založba ZRC
2024-01-01
|
| Series: | De Musica Disserenda |
| Subjects: | |
| Online Access: | https://ojs.zrc-sazu.si/dmd/article/view/13638 |
| _version_ | 1797346597920571392 |
|---|---|
| author | Florence Gétreau |
| author_facet | Florence Gétreau |
| author_sort | Florence Gétreau |
| collection | DOAJ |
| description | Some twenty ivory stringed instruments preserved in three main collections and corresponding to an instrumentarium in use at the end of the Middle Ages and the beginning of the Renaissance form a very homogeneous group. These instruments seem to have been made by the same workshop at the very end of the nineteenth century. Are they attempts of reconstruction or counterfeits? |
| first_indexed | 2024-03-08T11:34:47Z |
| format | Article |
| id | doaj.art-dfbf9d0af08b4f89bfb1f2f3083eb7a6 |
| institution | Directory Open Access Journal |
| issn | 1854-3405 2536-2615 |
| language | deu |
| last_indexed | 2024-03-08T11:34:47Z |
| publishDate | 2024-01-01 |
| publisher | ZRC SAZU, Založba ZRC |
| record_format | Article |
| series | De Musica Disserenda |
| spelling | doaj.art-dfbf9d0af08b4f89bfb1f2f3083eb7a62024-01-25T13:48:00ZdeuZRC SAZU, Založba ZRCDe Musica Disserenda1854-34052536-26152024-01-0119210.3986/dmd19.2.0419641A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory InstrumentsFlorence Gétreauhttps://orcid.org/0000-0002-5124-1328Some twenty ivory stringed instruments preserved in three main collections and corresponding to an instrumentarium in use at the end of the Middle Ages and the beginning of the Renaissance form a very homogeneous group. These instruments seem to have been made by the same workshop at the very end of the nineteenth century. Are they attempts of reconstruction or counterfeits?https://ojs.zrc-sazu.si/dmd/article/view/13638ivory stringed instrumentsitalian paintinglate fifteenth centuryitalian workshopnineteenth century |
| spellingShingle | Florence Gétreau A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments De Musica Disserenda ivory stringed instruments italian painting late fifteenth century italian workshop nineteenth century |
| title | A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments |
| title_full | A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments |
| title_fullStr | A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments |
| title_full_unstemmed | A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments |
| title_short | A Nineteenth-Century Italian Workshop of Neo-Late Medieval and Renaissance Ivory Instruments |
| title_sort | nineteenth century italian workshop of neo late medieval and renaissance ivory instruments |
| topic | ivory stringed instruments italian painting late fifteenth century italian workshop nineteenth century |
| url | https://ojs.zrc-sazu.si/dmd/article/view/13638 |
| work_keys_str_mv | AT florencegetreau anineteenthcenturyitalianworkshopofneolatemedievalandrenaissanceivoryinstruments AT florencegetreau nineteenthcenturyitalianworkshopofneolatemedievalandrenaissanceivoryinstruments |