Ontology for New Media Hybridity
Review of Jihoon Kim, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age, New York: Bloomsbury, 2016, 404 pp., ISBN 978-1-6289-2293-6. In Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age, Jihoon Kim tries to describe the ontology of co...
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Format: | Article |
Language: | English |
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Imprensa da Universidade de Coimbra
2017-12-01
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Series: | MatLit |
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Online Access: | https://impactum-journals.uc.pt/matlit/article/view/4136 |
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author | Fábio Waki |
author_facet | Fábio Waki |
author_sort | Fábio Waki |
collection | DOAJ |
description | Review of Jihoon Kim, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age, New York: Bloomsbury, 2016, 404 pp., ISBN 978-1-6289-2293-6.
In Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age, Jihoon Kim tries to describe the ontology of contemporary artworks produced within the universe of New Media Art, particularly the ontology of those works he understands as hybrid moving images, images whose typical materialities are denatured, deconstructed, and resignified when remediated through digital platforms, technical supports or artistic practices initially strange to them. Revising theories by important art critics of the last decades, such as Clement Greenberg and Rosalind Krauss, and combining them with theories by contemporary art critics, such as Lev Manovich and Peter Weibel, Kim provides us new tools for understanding why this New Media hybridity is feasible as visual fruition, as well as why it is progressively capable of grasping new, historically-oriented, image possibilities. |
first_indexed | 2024-12-11T03:17:42Z |
format | Article |
id | doaj.art-e012f6fb494b4208911b9aa9d858244b |
institution | Directory Open Access Journal |
issn | 2182-8830 |
language | English |
last_indexed | 2024-12-11T03:17:42Z |
publishDate | 2017-12-01 |
publisher | Imprensa da Universidade de Coimbra |
record_format | Article |
series | MatLit |
spelling | doaj.art-e012f6fb494b4208911b9aa9d858244b2022-12-22T01:22:42ZengImprensa da Universidade de CoimbraMatLit2182-88302017-12-015110.14195/2182-8830_5-1_21Ontology for New Media HybridityFábio Waki0University of Coimbra | CLPReview of Jihoon Kim, Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age, New York: Bloomsbury, 2016, 404 pp., ISBN 978-1-6289-2293-6. In Between Film, Video, and the Digital: Hybrid Moving Images in the Post-media Age, Jihoon Kim tries to describe the ontology of contemporary artworks produced within the universe of New Media Art, particularly the ontology of those works he understands as hybrid moving images, images whose typical materialities are denatured, deconstructed, and resignified when remediated through digital platforms, technical supports or artistic practices initially strange to them. Revising theories by important art critics of the last decades, such as Clement Greenberg and Rosalind Krauss, and combining them with theories by contemporary art critics, such as Lev Manovich and Peter Weibel, Kim provides us new tools for understanding why this New Media hybridity is feasible as visual fruition, as well as why it is progressively capable of grasping new, historically-oriented, image possibilities.https://impactum-journals.uc.pt/matlit/article/view/4136Materialities of LiteratureDigital HumanitiesNew Media |
spellingShingle | Fábio Waki Ontology for New Media Hybridity MatLit Materialities of Literature Digital Humanities New Media |
title | Ontology for New Media Hybridity |
title_full | Ontology for New Media Hybridity |
title_fullStr | Ontology for New Media Hybridity |
title_full_unstemmed | Ontology for New Media Hybridity |
title_short | Ontology for New Media Hybridity |
title_sort | ontology for new media hybridity |
topic | Materialities of Literature Digital Humanities New Media |
url | https://impactum-journals.uc.pt/matlit/article/view/4136 |
work_keys_str_mv | AT fabiowaki ontologyfornewmediahybridity |