Zadie Smith’s NW: the Novel at an ‘anxiety crossroads’?

This paper proposes to examine Zadie Smith’s NW (2012) in the light of her essay ‘Two Directions for the Novel’, in which she explores two roads for novel writing: ‘lyrical realism’ and ‘constructive deconstruction’. In NW, Smith uses a range of narrative techniques that are indebted to realist, mod...

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Main Author: Vanessa Guignery
Format: Article
Language:English
Published: Presses Universitaires de la Méditerranée 2013-10-01
Series:Études Britanniques Contemporaines
Subjects:
Online Access:http://journals.openedition.org/ebc/996
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author Vanessa Guignery
author_facet Vanessa Guignery
author_sort Vanessa Guignery
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description This paper proposes to examine Zadie Smith’s NW (2012) in the light of her essay ‘Two Directions for the Novel’, in which she explores two roads for novel writing: ‘lyrical realism’ and ‘constructive deconstruction’. In NW, Smith uses a range of narrative techniques that are indebted to realist, modernist and postmodernist traditions, and by analysing some of them, this paper aims to find out where Smith situates herself on the literary map in 2012, how she deals with the legacies of the past and what new lines she may be drawing for herself. More than forty years after David Lodge’s essay ‘The Novelist at the Crossroads’, one may wonder whether Smith finds herself at an ‘anxiety crossroads’, to quote her own expression. Her mixture of stream-of-consciousness technique, straightforward narrative and metafictional devices shows that she chooses neither the highway of the well-made novel nor the side road of downright deconstruction, but embraces several directions without trying to reconcile them.
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spelling doaj.art-e02e1f6dc964405a963c59db23e33b6b2022-12-22T00:53:27ZengPresses Universitaires de la MéditerranéeÉtudes Britanniques Contemporaines1168-49172271-54442013-10-014510.4000/ebc.996Zadie Smith’s NW: the Novel at an ‘anxiety crossroads’?Vanessa GuigneryThis paper proposes to examine Zadie Smith’s NW (2012) in the light of her essay ‘Two Directions for the Novel’, in which she explores two roads for novel writing: ‘lyrical realism’ and ‘constructive deconstruction’. In NW, Smith uses a range of narrative techniques that are indebted to realist, modernist and postmodernist traditions, and by analysing some of them, this paper aims to find out where Smith situates herself on the literary map in 2012, how she deals with the legacies of the past and what new lines she may be drawing for herself. More than forty years after David Lodge’s essay ‘The Novelist at the Crossroads’, one may wonder whether Smith finds herself at an ‘anxiety crossroads’, to quote her own expression. Her mixture of stream-of-consciousness technique, straightforward narrative and metafictional devices shows that she chooses neither the highway of the well-made novel nor the side road of downright deconstruction, but embraces several directions without trying to reconcile them.http://journals.openedition.org/ebc/996contemporary British literaturedeconstructionmetafictionmodernismnarrationNW
spellingShingle Vanessa Guignery
Zadie Smith’s NW: the Novel at an ‘anxiety crossroads’?
Études Britanniques Contemporaines
contemporary British literature
deconstruction
metafiction
modernism
narration
NW
title Zadie Smith’s NW: the Novel at an ‘anxiety crossroads’?
title_full Zadie Smith’s NW: the Novel at an ‘anxiety crossroads’?
title_fullStr Zadie Smith’s NW: the Novel at an ‘anxiety crossroads’?
title_full_unstemmed Zadie Smith’s NW: the Novel at an ‘anxiety crossroads’?
title_short Zadie Smith’s NW: the Novel at an ‘anxiety crossroads’?
title_sort zadie smith s nw the novel at an anxiety crossroads
topic contemporary British literature
deconstruction
metafiction
modernism
narration
NW
url http://journals.openedition.org/ebc/996
work_keys_str_mv AT vanessaguignery zadiesmithsnwthenovelatananxietycrossroads