Um Trágico Final Feliz
This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason...
Main Author: | |
---|---|
Format: | Article |
Language: | English |
Published: |
Imprensa da Universidade de Coimbra
2014-03-01
|
Series: | MatLit |
Subjects: | |
Online Access: | http://iduc.uc.pt/index.php/matlit/article/view/1651 |
_version_ | 1818120171805474816 |
---|---|
author | Maria Joana Melo |
author_facet | Maria Joana Melo |
author_sort | Maria Joana Melo |
collection | DOAJ |
description | This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason to oppose that form of art. Following Aristotle’s precepts in the Poetics, I will focus on the contradiction between chapters 13 and 14, in which he prescribes a happy and an unhappy ending. I have concluded that there is little difference between tragedy and melodrama as pertains to the exclusive features of Greek tragedy, but that there is a great difference when focusing on the features proposed by Aristotle, who therefore can not be held responsible for the shifting of tragedy towards melodrama. |
first_indexed | 2024-12-11T05:21:51Z |
format | Article |
id | doaj.art-e0465da295d6430da6a2a07646e50e9e |
institution | Directory Open Access Journal |
issn | 2182-8830 2182-8830 |
language | English |
last_indexed | 2024-12-11T05:21:51Z |
publishDate | 2014-03-01 |
publisher | Imprensa da Universidade de Coimbra |
record_format | Article |
series | MatLit |
spelling | doaj.art-e0465da295d6430da6a2a07646e50e9e2022-12-22T01:19:40ZengImprensa da Universidade de CoimbraMatLit2182-88302182-88302014-03-0112107124doi:10.14195/2182-8830_1-2_7Um Trágico Final FelizMaria Joana Melo0Instituto de Filosofia da Linguagem, Universidade Nova de LisboaThis paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason to oppose that form of art. Following Aristotle’s precepts in the Poetics, I will focus on the contradiction between chapters 13 and 14, in which he prescribes a happy and an unhappy ending. I have concluded that there is little difference between tragedy and melodrama as pertains to the exclusive features of Greek tragedy, but that there is a great difference when focusing on the features proposed by Aristotle, who therefore can not be held responsible for the shifting of tragedy towards melodrama.http://iduc.uc.pt/index.php/matlit/article/view/1651AristotlePoeticsHappy EndTragedyMelodramaFilm |
spellingShingle | Maria Joana Melo Um Trágico Final Feliz MatLit Aristotle Poetics Happy End Tragedy Melodrama Film |
title | Um Trágico Final Feliz |
title_full | Um Trágico Final Feliz |
title_fullStr | Um Trágico Final Feliz |
title_full_unstemmed | Um Trágico Final Feliz |
title_short | Um Trágico Final Feliz |
title_sort | um tragico final feliz |
topic | Aristotle Poetics Happy End Tragedy Melodrama Film |
url | http://iduc.uc.pt/index.php/matlit/article/view/1651 |
work_keys_str_mv | AT mariajoanamelo umtragicofinalfeliz |