Um Trágico Final Feliz

This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason...

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Main Author: Maria Joana Melo
Format: Article
Language:English
Published: Imprensa da Universidade de Coimbra 2014-03-01
Series:MatLit
Subjects:
Online Access:http://iduc.uc.pt/index.php/matlit/article/view/1651
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author Maria Joana Melo
author_facet Maria Joana Melo
author_sort Maria Joana Melo
collection DOAJ
description This paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason to oppose that form of art. Following Aristotle’s precepts in the Poetics, I will focus on the contradiction between chapters 13 and 14, in which he prescribes a happy and an unhappy ending. I have concluded that there is little difference between tragedy and melodrama as pertains to the exclusive features of Greek tragedy, but that there is a great difference when focusing on the features proposed by Aristotle, who therefore can not be held responsible for the shifting of tragedy towards melodrama.
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spelling doaj.art-e0465da295d6430da6a2a07646e50e9e2022-12-22T01:19:40ZengImprensa da Universidade de CoimbraMatLit2182-88302182-88302014-03-0112107124doi:10.14195/2182-8830_1-2_7Um Trágico Final FelizMaria Joana Melo0Instituto de Filosofia da Linguagem, Universidade Nova de LisboaThis paper addresses the happy ending in Greek tragedy – viewed as the first audiovisual mass-culture manifestation –, connecting features specifically assigned to tragedy and melodrama, such as ex-machina endings and the Aristotelian alogon, pathos, tears and moans, which gave Plato the main reason to oppose that form of art. Following Aristotle’s precepts in the Poetics, I will focus on the contradiction between chapters 13 and 14, in which he prescribes a happy and an unhappy ending. I have concluded that there is little difference between tragedy and melodrama as pertains to the exclusive features of Greek tragedy, but that there is a great difference when focusing on the features proposed by Aristotle, who therefore can not be held responsible for the shifting of tragedy towards melodrama.http://iduc.uc.pt/index.php/matlit/article/view/1651AristotlePoeticsHappy EndTragedyMelodramaFilm
spellingShingle Maria Joana Melo
Um Trágico Final Feliz
MatLit
Aristotle
Poetics
Happy End
Tragedy
Melodrama
Film
title Um Trágico Final Feliz
title_full Um Trágico Final Feliz
title_fullStr Um Trágico Final Feliz
title_full_unstemmed Um Trágico Final Feliz
title_short Um Trágico Final Feliz
title_sort um tragico final feliz
topic Aristotle
Poetics
Happy End
Tragedy
Melodrama
Film
url http://iduc.uc.pt/index.php/matlit/article/view/1651
work_keys_str_mv AT mariajoanamelo umtragicofinalfeliz