“Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo Settecento

From La vittoria d’Imeneo, staged at the Teatro Regio in June 1750, by Giuseppe Bartoli and Baldassare Galuppi, to the moment when the striking French events of the end of the century upset the international chessboard, the festa teatrale was the genre most often used in Turin for commemorative even...

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Main Author: Annarita Colturato
Format: Article
Language:deu
Published: Università degli Studi di Torino 2020-06-01
Series:CoSMO
Subjects:
Online Access:https://www.ojs.unito.it/index.php/COSMO/article/view/4632
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author Annarita Colturato
author_facet Annarita Colturato
author_sort Annarita Colturato
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description From La vittoria d’Imeneo, staged at the Teatro Regio in June 1750, by Giuseppe Bartoli and Baldassare Galuppi, to the moment when the striking French events of the end of the century upset the international chessboard, the festa teatrale was the genre most often used in Turin for commemorative events. Feste teatrali were used to solemnize the visits of foreign princes and sovereigns as well as celebrate the dynastic ties that the Savoy monarchy managed to forge with the main European courts through music. A representation of sovereignty and an instrument of consensus par excellence, this type of opera is a fertile ground for those who intend to study curial politics and its ritual practices; from a theatrical and musical point of view, it also offers many ideas for investigation, one of which concerns the constitutive and structural role of dance.
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spelling doaj.art-e086b639d7634e738ae422f5486f21dd2022-12-21T23:14:46ZdeuUniversità degli Studi di TorinoCoSMO2281-66582020-06-011610.13135/2281-6658/4632“Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo SettecentoAnnarita Colturato0Università degli Studi di TorinoFrom La vittoria d’Imeneo, staged at the Teatro Regio in June 1750, by Giuseppe Bartoli and Baldassare Galuppi, to the moment when the striking French events of the end of the century upset the international chessboard, the festa teatrale was the genre most often used in Turin for commemorative events. Feste teatrali were used to solemnize the visits of foreign princes and sovereigns as well as celebrate the dynastic ties that the Savoy monarchy managed to forge with the main European courts through music. A representation of sovereignty and an instrument of consensus par excellence, this type of opera is a fertile ground for those who intend to study curial politics and its ritual practices; from a theatrical and musical point of view, it also offers many ideas for investigation, one of which concerns the constitutive and structural role of dance.https://www.ojs.unito.it/index.php/COSMO/article/view/463218th-Century Feste teatrali18th-Century Ballet18th-Century OperaLa vittoria d’Imeneo (G. Bartoli, B. Galuppi, 1750)18th-Century Turin
spellingShingle Annarita Colturato
“Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo Settecento
CoSMO
18th-Century Feste teatrali
18th-Century Ballet
18th-Century Opera
La vittoria d’Imeneo (G. Bartoli, B. Galuppi, 1750)
18th-Century Turin
title “Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo Settecento
title_full “Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo Settecento
title_fullStr “Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo Settecento
title_full_unstemmed “Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo Settecento
title_short “Une partie essentielle du spectacle”. Il ballo nelle feste teatrali torinesi del secondo Settecento
title_sort une partie essentielle du spectacle il ballo nelle feste teatrali torinesi del secondo settecento
topic 18th-Century Feste teatrali
18th-Century Ballet
18th-Century Opera
La vittoria d’Imeneo (G. Bartoli, B. Galuppi, 1750)
18th-Century Turin
url https://www.ojs.unito.it/index.php/COSMO/article/view/4632
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