Per un Diverso Decameron

It is a well known fact that Boccaccio’s The Decameron has been strongly influenced by Dante’s The Divine Comedy and Petrarch’s The Canzoniere. Yet, such an influence, particularly as Dante is concerned, is generally considered a symptom of Boccaccio’s veneration for his great predecessor. Rarely ha...

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Main Author: Renzo Bragantini
Format: Article
Language:Italian
Published: Universidade de São Paulo 2015-06-01
Series:Revista de Italianística
Subjects:
Online Access:https://www.revistas.usp.br/italianistica/article/view/116149
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author Renzo Bragantini
author_facet Renzo Bragantini
author_sort Renzo Bragantini
collection DOAJ
description It is a well known fact that Boccaccio’s The Decameron has been strongly influenced by Dante’s The Divine Comedy and Petrarch’s The Canzoniere. Yet, such an influence, particularly as Dante is concerned, is generally considered a symptom of Boccaccio’s veneration for his great predecessor. Rarely have scholars asked themselves whether Boccaccio, following Dante’s path, also disputes some fundamental points of Dante’s poem. The article tries to demonstrate how Boccaccio faces this problem as well as how Boccaccio critically queries the fundaments of truth in the Divine Comedy. This can be conspicuously observed in parts of The Decameron where the author speaks directly to the reader (particularly in the Introduction to day IV). However, it can also be identified in other parts of the book, as it is the case with the assumptions and conclusions of the single tales. If not a totally opposite model to Dante’s poem, these sections of Boccaccio’s masterpiece have to be regarded as a radically different literary experience
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spelling doaj.art-e0ab17e73bad4f5da7263166281f78242022-12-22T03:08:21ZitaUniversidade de São PauloRevista de Italianística1413-20792238-82812015-06-0102953710.11606/issn.2238-8281.v0i29p5-37102036Per un Diverso DecameronRenzo Bragantini0Università degli Studi di Roma, “La Sapienza”It is a well known fact that Boccaccio’s The Decameron has been strongly influenced by Dante’s The Divine Comedy and Petrarch’s The Canzoniere. Yet, such an influence, particularly as Dante is concerned, is generally considered a symptom of Boccaccio’s veneration for his great predecessor. Rarely have scholars asked themselves whether Boccaccio, following Dante’s path, also disputes some fundamental points of Dante’s poem. The article tries to demonstrate how Boccaccio faces this problem as well as how Boccaccio critically queries the fundaments of truth in the Divine Comedy. This can be conspicuously observed in parts of The Decameron where the author speaks directly to the reader (particularly in the Introduction to day IV). However, it can also be identified in other parts of the book, as it is the case with the assumptions and conclusions of the single tales. If not a totally opposite model to Dante’s poem, these sections of Boccaccio’s masterpiece have to be regarded as a radically different literary experiencehttps://www.revistas.usp.br/italianistica/article/view/116149DecameronGiovanni BoccaccioDante AlighieriFrancesco Petrarcamodelli narrativiveritàinterpretazione
spellingShingle Renzo Bragantini
Per un Diverso Decameron
Revista de Italianística
Decameron
Giovanni Boccaccio
Dante Alighieri
Francesco Petrarca
modelli narrativi
verità
interpretazione
title Per un Diverso Decameron
title_full Per un Diverso Decameron
title_fullStr Per un Diverso Decameron
title_full_unstemmed Per un Diverso Decameron
title_short Per un Diverso Decameron
title_sort per un diverso decameron
topic Decameron
Giovanni Boccaccio
Dante Alighieri
Francesco Petrarca
modelli narrativi
verità
interpretazione
url https://www.revistas.usp.br/italianistica/article/view/116149
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