PRINCIPLES OF ORGANIZING SOCIAL SPACE IN MUSIC: CONVERGENCE
The concept of „social” space was developed by the American anthropologist E. Hall in the work „Hidden Dimension”, implying a distance from 120 cm to 3 m, typical of official communication. The purpose of the study of social space in music is to identify the principles of the organization of social...
| Main Authors: | , |
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| Format: | Article |
| Language: | deu |
| Published: |
Notograf Prim
2018-12-01
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| Series: | Studiul Artelor şi Culturologie: Istorie, Teorie, Practică |
| Subjects: | |
| Online Access: | http://revista.amtap.md/wp-content/files_mf/15551486332mozgot.pdf |
| Summary: | The concept of „social” space was developed by the American anthropologist E. Hall in the work „Hidden Dimension”, implying a distance from 120 cm to 3 m, typical of official communication. The purpose of the study of social space in music is to identify the principles of the organization of social space in a small group that contribute to the processes of semantic formation. In the organization of interaction
of participants of a small group in music, manifestations of synchronicity and symmetry which are indicators of action of the General principle — convergence — are established; (from Lat. converge-approach, converge) — contrasting comparison of musical themes, and then their convergence and harmonious fusion. The result of the use of convergence by composers in opuses is associated with the identification of
a General category of meaning — for example, „terror”, „love”, „peace” and others, for which the gradual display of inner kinship between contrasting principles is carried out.
Keywords: social space, interaction, musical meanings, hermeneutics |
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| ISSN: | 2345-1408 2345-1831 |