FE or not FE? A Play in Two Acts
The play that follows is a highly experimental work in progress. It is deliberately playful, and at times absurd, which all too often reflects the lived experiences of workers in the sector. The narrative form is employed to examine the potential challenges of engagement in scholarship, particula...
Main Authors: | , , |
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Format: | Article |
Language: | English |
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Liverpool John Moores University
2019-07-01
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Series: | PRISM |
Online Access: | https://openjournals.ljmu.ac.uk/prism/article/view/284 |
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author | Gary Husband Paul Murphy Joel Petrie |
author_facet | Gary Husband Paul Murphy Joel Petrie |
author_sort | Gary Husband |
collection | DOAJ |
description |
The play that follows is a highly experimental work in progress. It is deliberately playful, and at times absurd, which all too often reflects the lived experiences of workers in the sector. The narrative form is employed to examine the potential challenges of engagement in scholarship, particularly methodology, for lecturers in further education embarking on research on, in and of the sector. The play also interrogates power dynamics in FE, its ethicality, and relationship to meaning and ownership of sectoral stories and history. A third and final act is currently under development, and the authors hope to stage a reading of the play at the ARPCE Conference in 2020.
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first_indexed | 2024-03-07T15:51:48Z |
format | Article |
id | doaj.art-e0eda91a3932403a9cb712b5e0043ba8 |
institution | Directory Open Access Journal |
issn | 2514-5347 |
language | English |
last_indexed | 2024-04-24T06:41:34Z |
publishDate | 2019-07-01 |
publisher | Liverpool John Moores University |
record_format | Article |
series | PRISM |
spelling | doaj.art-e0eda91a3932403a9cb712b5e0043ba82024-04-23T02:24:39ZengLiverpool John Moores UniversityPRISM2514-53472019-07-0122FE or not FE? A Play in Two ActsGary Husband0Paul Murphy1Joel Petrie2University of StirlingIndependent Scholar, Actor and DirectorUniversity of Huddersfield The play that follows is a highly experimental work in progress. It is deliberately playful, and at times absurd, which all too often reflects the lived experiences of workers in the sector. The narrative form is employed to examine the potential challenges of engagement in scholarship, particularly methodology, for lecturers in further education embarking on research on, in and of the sector. The play also interrogates power dynamics in FE, its ethicality, and relationship to meaning and ownership of sectoral stories and history. A third and final act is currently under development, and the authors hope to stage a reading of the play at the ARPCE Conference in 2020. https://openjournals.ljmu.ac.uk/prism/article/view/284 |
spellingShingle | Gary Husband Paul Murphy Joel Petrie FE or not FE? A Play in Two Acts PRISM |
title | FE or not FE? A Play in Two Acts |
title_full | FE or not FE? A Play in Two Acts |
title_fullStr | FE or not FE? A Play in Two Acts |
title_full_unstemmed | FE or not FE? A Play in Two Acts |
title_short | FE or not FE? A Play in Two Acts |
title_sort | fe or not fe a play in two acts |
url | https://openjournals.ljmu.ac.uk/prism/article/view/284 |
work_keys_str_mv | AT garyhusband feornotfeaplayintwoacts AT paulmurphy feornotfeaplayintwoacts AT joelpetrie feornotfeaplayintwoacts |