Temor e poder em Harold Pinter – The Room: uma microfísica do medo
In this article, the author provides an analysis of The Room, Harold Pinter's first play, from the perspective of Michel Foucault's Soberania e disciplina; Ignácio Ramos Gay’s Alteridad y alienación sexual en la dramaturgia de Harold Pinter; and discusses issues raised by Francis Gillen in...
Main Author: | Carlos Cardoso Martins Moreira |
---|---|
Format: | Article |
Language: | Portuguese |
Published: |
Universidade Estadual de Campinas
2012-04-01
|
Series: | Pitágoras 500 |
Subjects: | |
Online Access: | http://www.publionline.iar.unicamp.br/index.php/pit500/article/view/23/43 |
Similar Items
-
The Politics of Harold Pinter's Plays
by: Ruben Moi
Published: (2006-06-01) -
The Bases of Postmodernism in Harold Pinter’s play “The Homecoming”
by: Davituliani Salome
Published: (2018-09-01) -
The Dualism of Inside and Outside and the Truth in Harold Pinter’s The Room /Harold Pinter’ın Oda Oyununda İç / Dış Düalizmi ve Hakikat
by: Elif Derya Şenduran
Published: (2022-11-01) -
HAROLD PINTER: FROM POETICS TO POLITICS
by: Dilek İNAN
Published: (2016-02-01) -
Harold Pinter'in "Doğumgünü Partisi" oyununun yapısal çözümlemesi
by: Ayfer (akansel) Altay
Published: (1989-12-01)