Roberto Burle Marx: Jardins do Brasil, a sua mais pura tradução
Roberto Burle Marx knew how to construct from the brazilian culture and flora a impressive work in the painting and landscape gardening work area. Internationally recognized as one of the principal modern landscape gardeners, his name usually appears associated to the tropical exotic and to the easy...
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| Format: | Article |
| Language: | English |
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Universidade Federal de Santa Catarina
2007-11-01
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| Series: | Esboços |
| Subjects: | |
| Online Access: | https://periodicos.ufsc.br/index.php/esbocos/article/view/232 |
| _version_ | 1819056478563074048 |
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| author | César Floriano |
| author_facet | César Floriano |
| author_sort | César Floriano |
| collection | DOAJ |
| description | Roberto Burle Marx knew how to construct from the brazilian culture and flora a impressive work in the painting and landscape gardening work area. Internationally recognized as one of the principal modern landscape gardeners, his name usually appears associated to the tropical exotic and to the easy taste made by colorful sensuality in his painting. However, inside his enormous artistic production we can find an impressive work connected to international vanguard of the 20th century, becoming almost in a isolated away an highlight in the landscape gardening work area. From abstracted compositions
he revealed in colors and intensity the natural and cultural landscape of his country, and as an interpreter of this huge and multiple territory he built through his gardens an enormous symphony of Brazil images and for sure its most pure translation. |
| first_indexed | 2024-12-21T13:24:03Z |
| format | Article |
| id | doaj.art-e185a81e4580463a99dc184609df084e |
| institution | Directory Open Access Journal |
| issn | 1414-722X 2175-7976 |
| language | English |
| last_indexed | 2024-12-21T13:24:03Z |
| publishDate | 2007-11-01 |
| publisher | Universidade Federal de Santa Catarina |
| record_format | Article |
| series | Esboços |
| spelling | doaj.art-e185a81e4580463a99dc184609df084e2022-12-21T19:02:30ZengUniversidade Federal de Santa CatarinaEsboços1414-722X2175-79762007-11-0113151124187Roberto Burle Marx: Jardins do Brasil, a sua mais pura traduçãoCésar Floriano0Universidade Federal de Santa CatarinaRoberto Burle Marx knew how to construct from the brazilian culture and flora a impressive work in the painting and landscape gardening work area. Internationally recognized as one of the principal modern landscape gardeners, his name usually appears associated to the tropical exotic and to the easy taste made by colorful sensuality in his painting. However, inside his enormous artistic production we can find an impressive work connected to international vanguard of the 20th century, becoming almost in a isolated away an highlight in the landscape gardening work area. From abstracted compositions he revealed in colors and intensity the natural and cultural landscape of his country, and as an interpreter of this huge and multiple territory he built through his gardens an enormous symphony of Brazil images and for sure its most pure translation.https://periodicos.ufsc.br/index.php/esbocos/article/view/232paisagismoarte públicaRoberto Burle Marx |
| spellingShingle | César Floriano Roberto Burle Marx: Jardins do Brasil, a sua mais pura tradução Esboços paisagismo arte pública Roberto Burle Marx |
| title | Roberto Burle Marx: Jardins do Brasil, a sua mais pura tradução |
| title_full | Roberto Burle Marx: Jardins do Brasil, a sua mais pura tradução |
| title_fullStr | Roberto Burle Marx: Jardins do Brasil, a sua mais pura tradução |
| title_full_unstemmed | Roberto Burle Marx: Jardins do Brasil, a sua mais pura tradução |
| title_short | Roberto Burle Marx: Jardins do Brasil, a sua mais pura tradução |
| title_sort | roberto burle marx jardins do brasil a sua mais pura traducao |
| topic | paisagismo arte pública Roberto Burle Marx |
| url | https://periodicos.ufsc.br/index.php/esbocos/article/view/232 |
| work_keys_str_mv | AT cesarfloriano robertoburlemarxjardinsdobrasilasuamaispuratraducao |