Georg Simmel e as ambigüidades da modernidade

The text analyses some aspects of Simmel´s critical theory on the forms of modern sociability, their repercussions on the cultural horizon and some strategies adopted by individuals to face this process

Bibliographic Details
Main Author: João Carlos Tedesco
Format: Article
Language:Portuguese
Published: Universidade do Vale do Rio dos Sinos (UNISINOS) 2007-01-01
Series:Ciências Sociais Unisinos
Subjects:
Online Access:http://www.redalyc.org/articulo.oa?id=93843106
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author João Carlos Tedesco
author_facet João Carlos Tedesco
author_sort João Carlos Tedesco
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description The text analyses some aspects of Simmel´s critical theory on the forms of modern sociability, their repercussions on the cultural horizon and some strategies adopted by individuals to face this process
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last_indexed 2024-04-24T20:51:01Z
publishDate 2007-01-01
publisher Universidade do Vale do Rio dos Sinos (UNISINOS)
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spelling doaj.art-e1d4bc2ec5e841d1bd16a34068bfe2d82024-03-21T19:29:07ZporUniversidade do Vale do Rio dos Sinos (UNISINOS)Ciências Sociais Unisinos2177-62292007-01-014315767Georg Simmel e as ambigüidades da modernidadeJoão Carlos TedescoThe text analyses some aspects of Simmel´s critical theory on the forms of modern sociability, their repercussions on the cultural horizon and some strategies adopted by individuals to face this processhttp://www.redalyc.org/articulo.oa?id=93843106modernityculturemoney
spellingShingle João Carlos Tedesco
Georg Simmel e as ambigüidades da modernidade
Ciências Sociais Unisinos
modernity
culture
money
title Georg Simmel e as ambigüidades da modernidade
title_full Georg Simmel e as ambigüidades da modernidade
title_fullStr Georg Simmel e as ambigüidades da modernidade
title_full_unstemmed Georg Simmel e as ambigüidades da modernidade
title_short Georg Simmel e as ambigüidades da modernidade
title_sort georg simmel e as ambiguidades da modernidade
topic modernity
culture
money
url http://www.redalyc.org/articulo.oa?id=93843106
work_keys_str_mv AT joaocarlostedesco georgsimmeleasambiguidadesdamodernidade