Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia

Based on the examination of the documents present in the Historical Archive of the Scuola Grande di San Rocco, in Venice, this essay proposes the first results of a research on the use of photography in that Institution in the period between the 1880s and the 1930s. The relationship with some imp...

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Main Author: Filippin, Sara
Format: Article
Language:English
Published: Fondazione Università Ca’ Foscari 2019-07-01
Series:MDCCC 1800
Subjects:
Online Access:http://doi.org/10.30687/MDCCC/2280-8841/2019/01/005
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author Filippin, Sara
author_facet Filippin, Sara
author_sort Filippin, Sara
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description Based on the examination of the documents present in the Historical Archive of the Scuola Grande di San Rocco, in Venice, this essay proposes the first results of a research on the use of photography in that Institution in the period between the 1880s and the 1930s. The relationship with some important photographers is reconstructed, above all with the Roman photographer Domenico Anderson, to whom the exclusive right for the reproduction of the works of art of the Scuola was granted in 1896. The analysis of the sales of photographs carried out there makes it possible to verify the subjects that visitors appreciated most, especially with regard to Tintoretto’s paintings.
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spelling doaj.art-e24995e05bfe45f794677b9c7b0e015d2023-10-30T08:17:04ZengFondazione Università Ca’ FoscariMDCCC 18002280-88412019-07-018110.30687/MDCCC/2280-8841/2019/01/005journal_article_2152Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in VeneziaFilippin, Sara0Università degli Studi di Padova, Italia Based on the examination of the documents present in the Historical Archive of the Scuola Grande di San Rocco, in Venice, this essay proposes the first results of a research on the use of photography in that Institution in the period between the 1880s and the 1930s. The relationship with some important photographers is reconstructed, above all with the Roman photographer Domenico Anderson, to whom the exclusive right for the reproduction of the works of art of the Scuola was granted in 1896. The analysis of the sales of photographs carried out there makes it possible to verify the subjects that visitors appreciated most, especially with regard to Tintoretto’s paintings. http://doi.org/10.30687/MDCCC/2280-8841/2019/01/005Carlo Naya. Domenico Anderson. Fratelli Alinari. Giovanni Battista Brusa. Jacopo Robusti (Tintoretto). John Ruskin. Photography in Venice. Reproduction of works of art. Scuola Grande di San Rocco
spellingShingle Filippin, Sara
Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia
MDCCC 1800
Carlo Naya. Domenico Anderson. Fratelli Alinari. Giovanni Battista Brusa. Jacopo Robusti (Tintoretto). John Ruskin. Photography in Venice. Reproduction of works of art. Scuola Grande di San Rocco
title Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia
title_full Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia
title_fullStr Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia
title_full_unstemmed Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia
title_short Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia
title_sort primi materiali sulla presenza della fotografia alla scuola grande di san rocco in venezia
topic Carlo Naya. Domenico Anderson. Fratelli Alinari. Giovanni Battista Brusa. Jacopo Robusti (Tintoretto). John Ruskin. Photography in Venice. Reproduction of works of art. Scuola Grande di San Rocco
url http://doi.org/10.30687/MDCCC/2280-8841/2019/01/005
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