The Price That Women in Renaissance Drama Pay for Taking Initiative

The article is a close reading of Isabella’s soliloquy in act IV of The Spanish Tragedy by Thomas Kyd. Pointing at the difference between the role of women in Early Modern re­ality and their function in contemporary plays, it demonstrates the perversity of a society where women were regularly margin...

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Main Author: Jonathan S. Rebetz
Format: Article
Language:deu
Published: University of Ljubljana Press (Založba Univerze v Ljubljani) 2021-12-01
Series:Acta Neophilologica
Subjects:
Online Access:https://journals.uni-lj.si/ActaNeophilologica/article/view/9809
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author Jonathan S. Rebetz
author_facet Jonathan S. Rebetz
author_sort Jonathan S. Rebetz
collection DOAJ
description The article is a close reading of Isabella’s soliloquy in act IV of The Spanish Tragedy by Thomas Kyd. Pointing at the difference between the role of women in Early Modern re­ality and their function in contemporary plays, it demonstrates the perversity of a society where women were regularly marginalized and where, even in theatre, their transgressions of the boundaries imposed on them by the patriarchal social apparatus led to extremely unfavourable repercussions. Isabella, emotionally crushed by the foul murder of her son, decides in her helplessness to take her own life. In a world dominated by men, she does not quietly accept her passive role, but works within its limitations to become a character that takes action, albeit action that ends her life. Before making the symbolic gesture of stabbing herself, she exclaims against the circumstances which drove her to it. Her speech can be seen as one of the climactic points of the play.
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spelling doaj.art-e27e847ad6c047fea88beeeb5802fb142023-01-18T08:45:55ZdeuUniversity of Ljubljana Press (Založba Univerze v Ljubljani)Acta Neophilologica0567-784X2350-417X2021-12-01541-210.4312/an.54.1-2.5-14The Price That Women in Renaissance Drama Pay for Taking InitiativeJonathan S. Rebetz0University of Ljubljana, Faculty of Arts, SloveniaThe article is a close reading of Isabella’s soliloquy in act IV of The Spanish Tragedy by Thomas Kyd. Pointing at the difference between the role of women in Early Modern re­ality and their function in contemporary plays, it demonstrates the perversity of a society where women were regularly marginalized and where, even in theatre, their transgressions of the boundaries imposed on them by the patriarchal social apparatus led to extremely unfavourable repercussions. Isabella, emotionally crushed by the foul murder of her son, decides in her helplessness to take her own life. In a world dominated by men, she does not quietly accept her passive role, but works within its limitations to become a character that takes action, albeit action that ends her life. Before making the symbolic gesture of stabbing herself, she exclaims against the circumstances which drove her to it. Her speech can be seen as one of the climactic points of the play. https://journals.uni-lj.si/ActaNeophilologica/article/view/9809Renaissance dramaSenecan tragedyThomas KydThe Spanish Tragedypatriarchysoliloquy
spellingShingle Jonathan S. Rebetz
The Price That Women in Renaissance Drama Pay for Taking Initiative
Acta Neophilologica
Renaissance drama
Senecan tragedy
Thomas Kyd
The Spanish Tragedy
patriarchy
soliloquy
title The Price That Women in Renaissance Drama Pay for Taking Initiative
title_full The Price That Women in Renaissance Drama Pay for Taking Initiative
title_fullStr The Price That Women in Renaissance Drama Pay for Taking Initiative
title_full_unstemmed The Price That Women in Renaissance Drama Pay for Taking Initiative
title_short The Price That Women in Renaissance Drama Pay for Taking Initiative
title_sort price that women in renaissance drama pay for taking initiative
topic Renaissance drama
Senecan tragedy
Thomas Kyd
The Spanish Tragedy
patriarchy
soliloquy
url https://journals.uni-lj.si/ActaNeophilologica/article/view/9809
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