COORDINATES AND STAGES OF THE INDIVIDUAL STUDY OF A CHORAL SCORE BY THE CONDUCTOR
The conductor's study of a choral score requires a great deal of expertise. Prior to studying the actual score, each conductor will have to undertake several compulsory phases, as follows: the first phase is the analysis of the musical work, which comprises three important stages: Stage I – The...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2015-06-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
| Subjects: | |
| Online Access: | http://193.231.18.162:80/index.php/subbmusica/article/view/5084 |
| _version_ | 1797370828005834752 |
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| author | Luminiţa GUŢANU STOIAN |
| author_facet | Luminiţa GUŢANU STOIAN |
| author_sort | Luminiţa GUŢANU STOIAN |
| collection | DOAJ |
| description | The conductor's study of a choral score requires a great deal of expertise. Prior to studying the actual score, each conductor will have to undertake several compulsory phases, as follows: the first phase is the analysis of the musical work, which comprises three important stages: Stage I – The Syntactical – Morphological Analysis of the work (Stg I -SMA); Stage II – The Vocal - Choral Analysis of the work (Stg II – VCA) and Stage III – the mental approach on the score (MA), which, in its turn, comprises the technical mental approach (TMA) and the interpretative mental approach (IMA). This latter stage is the practical one, which entails the actual study of the musical score. It requires a few vital steps, particularly the first one – the study of the score by the inner pulsation, involving intent. This study develops, reveals and explains the necessity and importance of all the other stages. |
| first_indexed | 2024-03-08T18:09:58Z |
| format | Article |
| id | doaj.art-e28899abf2314b83986916a95c8f7ac9 |
| institution | Directory Open Access Journal |
| issn | 1844-4369 2065-9628 |
| language | English |
| last_indexed | 2024-03-08T18:09:58Z |
| publishDate | 2015-06-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj.art-e28899abf2314b83986916a95c8f7ac92024-01-01T09:29:41ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282015-06-01601COORDINATES AND STAGES OF THE INDIVIDUAL STUDY OF A CHORAL SCORE BY THE CONDUCTORLuminiţa GUŢANU STOIAN0Faculty of Arts, Department of Arts, Spiru Haret University, Bucharest, Romania, email: luminitagutanu@yahoo.esThe conductor's study of a choral score requires a great deal of expertise. Prior to studying the actual score, each conductor will have to undertake several compulsory phases, as follows: the first phase is the analysis of the musical work, which comprises three important stages: Stage I – The Syntactical – Morphological Analysis of the work (Stg I -SMA); Stage II – The Vocal - Choral Analysis of the work (Stg II – VCA) and Stage III – the mental approach on the score (MA), which, in its turn, comprises the technical mental approach (TMA) and the interpretative mental approach (IMA). This latter stage is the practical one, which entails the actual study of the musical score. It requires a few vital steps, particularly the first one – the study of the score by the inner pulsation, involving intent. This study develops, reveals and explains the necessity and importance of all the other stages.http://193.231.18.162:80/index.php/subbmusica/article/view/5084The Syntactical – Morphological Analysis of the work (Stg I -SMA), The Vocal - Choral Analysis of the work (Stg II – VCA), The mental approach on the score (MA), analysis of the musical work, individual study. |
| spellingShingle | Luminiţa GUŢANU STOIAN COORDINATES AND STAGES OF THE INDIVIDUAL STUDY OF A CHORAL SCORE BY THE CONDUCTOR Studia Universitatis Babeş-Bolyai. Musica The Syntactical – Morphological Analysis of the work (Stg I -SMA), The Vocal - Choral Analysis of the work (Stg II – VCA), The mental approach on the score (MA), analysis of the musical work, individual study. |
| title | COORDINATES AND STAGES OF THE INDIVIDUAL STUDY OF A CHORAL SCORE BY THE CONDUCTOR |
| title_full | COORDINATES AND STAGES OF THE INDIVIDUAL STUDY OF A CHORAL SCORE BY THE CONDUCTOR |
| title_fullStr | COORDINATES AND STAGES OF THE INDIVIDUAL STUDY OF A CHORAL SCORE BY THE CONDUCTOR |
| title_full_unstemmed | COORDINATES AND STAGES OF THE INDIVIDUAL STUDY OF A CHORAL SCORE BY THE CONDUCTOR |
| title_short | COORDINATES AND STAGES OF THE INDIVIDUAL STUDY OF A CHORAL SCORE BY THE CONDUCTOR |
| title_sort | coordinates and stages of the individual study of a choral score by the conductor |
| topic | The Syntactical – Morphological Analysis of the work (Stg I -SMA), The Vocal - Choral Analysis of the work (Stg II – VCA), The mental approach on the score (MA), analysis of the musical work, individual study. |
| url | http://193.231.18.162:80/index.php/subbmusica/article/view/5084 |
| work_keys_str_mv | AT luminitagutanustoian coordinatesandstagesoftheindividualstudyofachoralscorebytheconductor |