«Impones plagiario pudorem»
During d’Annunzio’s lifetime, a controversy arose concerning his alleged drawing from other literary sources – sources which he transformed in his writings through his own lyricism. Following the publication of d’Annunzio’s novel L’innocente (The intruder), Enrico Thovez instigated the so-called...
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| Format: | Article |
| Language: | Italian |
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Fondazione Università Ca’ Foscari
2014-10-01
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| Series: | Archivio d’Annunzio |
| Online Access: | http://doi.org/10.14277/2421-292X/450 |
| _version_ | 1797646279079100416 |
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| author | Giacon, Maria Rosa |
| author_facet | Giacon, Maria Rosa |
| author_sort | Giacon, Maria Rosa |
| collection | DOAJ |
| description |
During d’Annunzio’s lifetime, a controversy arose concerning his alleged drawing from other literary sources – sources which he transformed in his writings through his own lyricism. Following the publication of d’Annunzio’s novel L’innocente (The intruder), Enrico Thovez instigated the so-called affaire des plagiats, in response to which critics such as Benedetto Croce took d’Annunzio’s part. By borrowing from French Symbolists and Russian writers, d’Annunzio wished to abandon 19th century realism so as to reflect fin de siècle irrationalism and spiritualism, but he proved unsuccessful in setting up an innovative narrative system. Apparently being more a poet than a novelist, d’Annunzio let the functions of poetry dictate narrative strategy; thus, another literary genre, the roman-poème, was founded.
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| first_indexed | 2024-03-11T14:59:18Z |
| format | Article |
| id | doaj.art-e2bc66cdd3b547d0b6ce859cba209ea9 |
| institution | Directory Open Access Journal |
| issn | 2421-292X |
| language | Italian |
| last_indexed | 2024-03-11T14:59:18Z |
| publishDate | 2014-10-01 |
| publisher | Fondazione Università Ca’ Foscari |
| record_format | Article |
| series | Archivio d’Annunzio |
| spelling | doaj.art-e2bc66cdd3b547d0b6ce859cba209ea92023-10-30T08:14:22ZitaFondazione Università Ca’ FoscariArchivio d’Annunzio2421-292X2014-10-011110.14277/2421-292X/450journal_article_89«Impones plagiario pudorem»Giacon, Maria Rosa0Independent Researcher During d’Annunzio’s lifetime, a controversy arose concerning his alleged drawing from other literary sources – sources which he transformed in his writings through his own lyricism. Following the publication of d’Annunzio’s novel L’innocente (The intruder), Enrico Thovez instigated the so-called affaire des plagiats, in response to which critics such as Benedetto Croce took d’Annunzio’s part. By borrowing from French Symbolists and Russian writers, d’Annunzio wished to abandon 19th century realism so as to reflect fin de siècle irrationalism and spiritualism, but he proved unsuccessful in setting up an innovative narrative system. Apparently being more a poet than a novelist, d’Annunzio let the functions of poetry dictate narrative strategy; thus, another literary genre, the roman-poème, was founded. http://doi.org/10.14277/2421-292X/450 |
| spellingShingle | Giacon, Maria Rosa «Impones plagiario pudorem» Archivio d’Annunzio |
| title | «Impones plagiario pudorem» |
| title_full | «Impones plagiario pudorem» |
| title_fullStr | «Impones plagiario pudorem» |
| title_full_unstemmed | «Impones plagiario pudorem» |
| title_short | «Impones plagiario pudorem» |
| title_sort | impones plagiario pudorem |
| url | http://doi.org/10.14277/2421-292X/450 |
| work_keys_str_mv | AT giaconmariarosa imponesplagiariopudorem |