Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation

This paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals ho...

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Main Authors: Chelsea Jones, Nadine Changfoot, Kirsty Johnston
Format: Article
Language:English
Published: Brock University 2021-03-01
Series:Studies in Social Justice
Subjects:
Online Access:https://journals.library.brocku.ca/index.php/SSJ/article/view/2433
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author Chelsea Jones
Nadine Changfoot
Kirsty Johnston
author_facet Chelsea Jones
Nadine Changfoot
Kirsty Johnston
author_sort Chelsea Jones
collection DOAJ
description This paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals how arts and culture coverage contributes to the cultivation of disability, D/deaf, and mad art. Given that the relationship between journalism and disability communities continues to be fractured in Canada, speakers were invited to reflect on journalism and disability arts in relation to their own engagement with media as subjects, authors, and critics of disability arts reviews. The methods for presentation were cripped in multiple ways to provide the fullest access possible. The panel concluded with examples of ableist fault lines in representation practices where the disabled figure is an absent “ghost” in journalistic representation, warnings against journalistic reliance on traditional and objective narratives, and a call for artists to claim and write their own stories. Ultimately, disabled, D/deaf, and mad artists need both control over artistic endeavours and output and influence over representation. This article reconnects journalism and disability communities, ultimately demonstrating that representation is a critical, co-constitutive process that can become more aesthetically and politically oriented toward social justice in its focus on disability, D/deaf, and mad arts.
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spelling doaj.art-e2eab8e7121a4c6ab91675d7c500d3e02022-12-21T23:19:20ZengBrock UniversityStudies in Social Justice1911-47882021-03-0115210.26522/ssj.v15i2.2433Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of RepresentationChelsea Jones0Nadine Changfoot1Kirsty Johnston 2Brock UniversityTrent UniversityUniversity of British ColumbiaThis paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals how arts and culture coverage contributes to the cultivation of disability, D/deaf, and mad art. Given that the relationship between journalism and disability communities continues to be fractured in Canada, speakers were invited to reflect on journalism and disability arts in relation to their own engagement with media as subjects, authors, and critics of disability arts reviews. The methods for presentation were cripped in multiple ways to provide the fullest access possible. The panel concluded with examples of ableist fault lines in representation practices where the disabled figure is an absent “ghost” in journalistic representation, warnings against journalistic reliance on traditional and objective narratives, and a call for artists to claim and write their own stories. Ultimately, disabled, D/deaf, and mad artists need both control over artistic endeavours and output and influence over representation. This article reconnects journalism and disability communities, ultimately demonstrating that representation is a critical, co-constitutive process that can become more aesthetically and politically oriented toward social justice in its focus on disability, D/deaf, and mad arts.https://journals.library.brocku.ca/index.php/SSJ/article/view/2433disability artsjournalismrepresentationcrippanel
spellingShingle Chelsea Jones
Nadine Changfoot
Kirsty Johnston
Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation
Studies in Social Justice
disability arts
journalism
representation
crip
panel
title Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation
title_full Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation
title_fullStr Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation
title_full_unstemmed Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation
title_short Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation
title_sort representing disability d deaf and mad artists and art in journalism identifying ableist fault lines and promising crip practices of representation
topic disability arts
journalism
representation
crip
panel
url https://journals.library.brocku.ca/index.php/SSJ/article/view/2433
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AT kirstyjohnston representingdisabilityddeafandmadartistsandartinjournalismidentifyingableistfaultlinesandpromisingcrippracticesofrepresentation