Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation
This paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals ho...
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Format: | Article |
Language: | English |
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Brock University
2021-03-01
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Series: | Studies in Social Justice |
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Online Access: | https://journals.library.brocku.ca/index.php/SSJ/article/view/2433 |
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author | Chelsea Jones Nadine Changfoot Kirsty Johnston |
author_facet | Chelsea Jones Nadine Changfoot Kirsty Johnston |
author_sort | Chelsea Jones |
collection | DOAJ |
description | This paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals how arts and culture coverage contributes to the cultivation of disability, D/deaf, and mad art. Given that the relationship between journalism and disability communities continues to be fractured in Canada, speakers were invited to reflect on journalism and disability arts in relation to their own engagement with media as subjects, authors, and critics of disability arts reviews. The methods for presentation were cripped in multiple ways to provide the fullest access possible. The panel concluded with examples of ableist fault lines in representation practices where the disabled figure is an absent “ghost” in journalistic representation, warnings against journalistic reliance on traditional and objective narratives, and a call for artists to claim and write their own stories. Ultimately, disabled, D/deaf, and mad artists need both control over artistic endeavours and output and influence over representation. This article reconnects journalism and disability communities, ultimately demonstrating that representation is a critical, co-constitutive process that can become more aesthetically and politically oriented toward social justice in its focus on disability, D/deaf, and mad arts. |
first_indexed | 2024-12-14T03:08:16Z |
format | Article |
id | doaj.art-e2eab8e7121a4c6ab91675d7c500d3e0 |
institution | Directory Open Access Journal |
issn | 1911-4788 |
language | English |
last_indexed | 2024-12-14T03:08:16Z |
publishDate | 2021-03-01 |
publisher | Brock University |
record_format | Article |
series | Studies in Social Justice |
spelling | doaj.art-e2eab8e7121a4c6ab91675d7c500d3e02022-12-21T23:19:20ZengBrock UniversityStudies in Social Justice1911-47882021-03-0115210.26522/ssj.v15i2.2433Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of RepresentationChelsea Jones0Nadine Changfoot1Kirsty Johnston 2Brock UniversityTrent UniversityUniversity of British ColumbiaThis paper revisits the dynamic discussion about journalism’s role in representing and amplifying disability arts at the 2019 Cripping the Arts Symposium. Chronicling the dialogue of the “Representation” panel which included artists, arts and culture critics, journalists, and scholars, it reveals how arts and culture coverage contributes to the cultivation of disability, D/deaf, and mad art. Given that the relationship between journalism and disability communities continues to be fractured in Canada, speakers were invited to reflect on journalism and disability arts in relation to their own engagement with media as subjects, authors, and critics of disability arts reviews. The methods for presentation were cripped in multiple ways to provide the fullest access possible. The panel concluded with examples of ableist fault lines in representation practices where the disabled figure is an absent “ghost” in journalistic representation, warnings against journalistic reliance on traditional and objective narratives, and a call for artists to claim and write their own stories. Ultimately, disabled, D/deaf, and mad artists need both control over artistic endeavours and output and influence over representation. This article reconnects journalism and disability communities, ultimately demonstrating that representation is a critical, co-constitutive process that can become more aesthetically and politically oriented toward social justice in its focus on disability, D/deaf, and mad arts.https://journals.library.brocku.ca/index.php/SSJ/article/view/2433disability artsjournalismrepresentationcrippanel |
spellingShingle | Chelsea Jones Nadine Changfoot Kirsty Johnston Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation Studies in Social Justice disability arts journalism representation crip panel |
title | Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation |
title_full | Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation |
title_fullStr | Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation |
title_full_unstemmed | Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation |
title_short | Representing Disability, D/deaf, and Mad Artists and Art in Journalism: Identifying Ableist Fault Lines and Promising Crip Practices of Representation |
title_sort | representing disability d deaf and mad artists and art in journalism identifying ableist fault lines and promising crip practices of representation |
topic | disability arts journalism representation crip panel |
url | https://journals.library.brocku.ca/index.php/SSJ/article/view/2433 |
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