“Playing jazz is what she does”: The impact of peer identification and mastery experiences on female jazz pupils’ self-efficacy at Improbasen

This article is a conceptual analysis of the concepts of enactive mastery experience and vicarious learning experience from Albert Bandura’s socio-cognitive theory, applied to the empirical case of the Norwegian learning centre Improbasen. I outline some historical and socio-psychological contexts t...

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Main Author: Guro Gravem Johansen
Format: Article
Language:English
Published: Frontiers Media S.A. 2023-01-01
Series:Frontiers in Education
Subjects:
Online Access:https://www.frontiersin.org/articles/10.3389/feduc.2022.1066341/full
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author Guro Gravem Johansen
author_facet Guro Gravem Johansen
author_sort Guro Gravem Johansen
collection DOAJ
description This article is a conceptual analysis of the concepts of enactive mastery experience and vicarious learning experience from Albert Bandura’s socio-cognitive theory, applied to the empirical case of the Norwegian learning centre Improbasen. I outline some historical and socio-psychological contexts that posits jazz practice as a masculine stereotyped activity, to indicate various mechanisms that may cause a low self-efficacy for playing jazz in girls and non-binary children. When presenting the empirical case, I highlight the learning center’s strategies to promote gender equality. Finally, I discuss theoretically how these strategies may strengthen self-efficacy in children, relating them to experiences of mastery and vicarious learning. In conclusion I suggest that a diverse learning environment that facilitates peer identification works better for all genders than, when iconic male jazz musicians are treated as models for learning.
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spelling doaj.art-e322fd735dca4fa88ab59a3232744bd12023-01-11T06:14:12ZengFrontiers Media S.A.Frontiers in Education2504-284X2023-01-01710.3389/feduc.2022.10663411066341“Playing jazz is what she does”: The impact of peer identification and mastery experiences on female jazz pupils’ self-efficacy at ImprobasenGuro Gravem JohansenThis article is a conceptual analysis of the concepts of enactive mastery experience and vicarious learning experience from Albert Bandura’s socio-cognitive theory, applied to the empirical case of the Norwegian learning centre Improbasen. I outline some historical and socio-psychological contexts that posits jazz practice as a masculine stereotyped activity, to indicate various mechanisms that may cause a low self-efficacy for playing jazz in girls and non-binary children. When presenting the empirical case, I highlight the learning center’s strategies to promote gender equality. Finally, I discuss theoretically how these strategies may strengthen self-efficacy in children, relating them to experiences of mastery and vicarious learning. In conclusion I suggest that a diverse learning environment that facilitates peer identification works better for all genders than, when iconic male jazz musicians are treated as models for learning.https://www.frontiersin.org/articles/10.3389/feduc.2022.1066341/fullself-efficacyjazz improvisationgenderpeer learningchildren
spellingShingle Guro Gravem Johansen
“Playing jazz is what she does”: The impact of peer identification and mastery experiences on female jazz pupils’ self-efficacy at Improbasen
Frontiers in Education
self-efficacy
jazz improvisation
gender
peer learning
children
title “Playing jazz is what she does”: The impact of peer identification and mastery experiences on female jazz pupils’ self-efficacy at Improbasen
title_full “Playing jazz is what she does”: The impact of peer identification and mastery experiences on female jazz pupils’ self-efficacy at Improbasen
title_fullStr “Playing jazz is what she does”: The impact of peer identification and mastery experiences on female jazz pupils’ self-efficacy at Improbasen
title_full_unstemmed “Playing jazz is what she does”: The impact of peer identification and mastery experiences on female jazz pupils’ self-efficacy at Improbasen
title_short “Playing jazz is what she does”: The impact of peer identification and mastery experiences on female jazz pupils’ self-efficacy at Improbasen
title_sort playing jazz is what she does the impact of peer identification and mastery experiences on female jazz pupils self efficacy at improbasen
topic self-efficacy
jazz improvisation
gender
peer learning
children
url https://www.frontiersin.org/articles/10.3389/feduc.2022.1066341/full
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