"THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO
<p>The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but n...
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| Format: | Article |
| Language: | Portuguese |
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Universidade Federal Fluminense
2012-11-01
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| Series: | Abril |
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| Online Access: | http://www.revistaabril.uff.br/index.php/revistaabril/article/view/146 |
| _version_ | 1818500876829982720 |
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| author | Marleide Anchieta de Lima |
| author_facet | Marleide Anchieta de Lima |
| author_sort | Marleide Anchieta de Lima |
| collection | DOAJ |
| description | <p>The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton & Vox.</p> |
| first_indexed | 2024-12-10T20:48:37Z |
| format | Article |
| id | doaj.art-e3262f2490a249c9ab546c5d1502b6b5 |
| institution | Directory Open Access Journal |
| issn | 1984-2090 |
| language | Portuguese |
| last_indexed | 2024-12-10T20:48:37Z |
| publishDate | 2012-11-01 |
| publisher | Universidade Federal Fluminense |
| record_format | Article |
| series | Abril |
| spelling | doaj.art-e3262f2490a249c9ab546c5d1502b6b52022-12-22T01:34:10ZporUniversidade Federal FluminenseAbril1984-20902012-11-015989"THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAOMarleide Anchieta de Lima0Universidade Federal Fluminense<p>The poetry of Manuel Gusmão invests intensively in interart relations. His works offervisual dialogue with painting, photography and, above all, experience the dynamics of the cinema. For this reason, our study aims to examine the construction imagery in poems of the author mentioned, but not limited to thematic scope, since it will investigate the implementation of cinematic techniques for composition and textual meanings that express such procedures in an attempt to say or maybe not to say, the object being viewed. With this pesrpective, we turn to the theoretical-critical of George Didi-Huberman, Jacques Aumont, Gilles Deleuze, and the prose of Herberto Helder in Photomaton & Vox.</p>http://www.revistaabril.uff.br/index.php/revistaabril/article/view/146poesia contemporânea portuguesarelação interartesManuel Gusmão |
| spellingShingle | Marleide Anchieta de Lima "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO Abril poesia contemporânea portuguesa relação interartes Manuel Gusmão |
| title | "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO |
| title_full | "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO |
| title_fullStr | "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO |
| title_full_unstemmed | "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO |
| title_short | "THE KEYBOARD LITS THE ÉCRAN": THE CINEMATOGRAPHIC POETRY OF MANUEL GUSMAO |
| title_sort | the keyboard lits the ecran the cinematographic poetry of manuel gusmao |
| topic | poesia contemporânea portuguesa relação interartes Manuel Gusmão |
| url | http://www.revistaabril.uff.br/index.php/revistaabril/article/view/146 |
| work_keys_str_mv | AT marleideanchietadelima thekeyboardlitstheecranthecinematographicpoetryofmanuelgusmao |