MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINISCENCE OF BAROQUE DANCE FORMS
According to Alfred Cortot, the suite Le tombeau de Couperin could be divided into two main units. The first part presented in the previous volume of this journal, analyses the structural arch of the suite: the first two and the last part, which uses specific compositional technics of the Baroque e...
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| Format: | Article |
| Language: | English |
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Babeș-Bolyai University
2020-12-01
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| Series: | Studia Universitatis Babeş-Bolyai. Musica |
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| Online Access: | http://193.231.18.162/index.php/subbmusica/article/view/2033 |
| _version_ | 1797365187565584384 |
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| author | Boglárka Eszter OLÁH |
| author_facet | Boglárka Eszter OLÁH |
| author_sort | Boglárka Eszter OLÁH |
| collection | DOAJ |
| description |
According to Alfred Cortot, the suite Le tombeau de Couperin could be divided into two main units. The first part presented in the previous volume of this journal, analyses the structural arch of the suite: the first two and the last part, which uses specific compositional technics of the Baroque era. This second part presents the middle section of the suite, the reminiscence of baroque dance forms, through the three contrasting dances: Forlane, Rigaudon, and Menuet. The fusion between the elements of the French baroque keyboard music and the characteristics of the modern piano music transforms this suite into a real and unique masterpiece. By analyzing the Forlane, the Rigaudon, and the Menuet of the suite we can understand the view of twentieth-century artists on the music of the Baroque era.
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| first_indexed | 2024-03-08T16:46:34Z |
| format | Article |
| id | doaj.art-e34111dfdbc64e61a64ee21566e263eb |
| institution | Directory Open Access Journal |
| issn | 1844-4369 2065-9628 |
| language | English |
| last_indexed | 2024-03-08T16:46:34Z |
| publishDate | 2020-12-01 |
| publisher | Babeș-Bolyai University |
| record_format | Article |
| series | Studia Universitatis Babeş-Bolyai. Musica |
| spelling | doaj.art-e34111dfdbc64e61a64ee21566e263eb2024-01-05T09:41:12ZengBabeș-Bolyai UniversityStudia Universitatis Babeş-Bolyai. Musica1844-43692065-96282020-12-0165210.24193/subbmusica.2020.2.19 MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINISCENCE OF BAROQUE DANCE FORMSBoglárka Eszter OLÁH0University Assistant Ph.D. “Gheorghe Dima” National Music Academy, 25, Ion I. C. Brătianu Street, Cluj-Napoca, email: boglarkaeszter@yahoo.com According to Alfred Cortot, the suite Le tombeau de Couperin could be divided into two main units. The first part presented in the previous volume of this journal, analyses the structural arch of the suite: the first two and the last part, which uses specific compositional technics of the Baroque era. This second part presents the middle section of the suite, the reminiscence of baroque dance forms, through the three contrasting dances: Forlane, Rigaudon, and Menuet. The fusion between the elements of the French baroque keyboard music and the characteristics of the modern piano music transforms this suite into a real and unique masterpiece. By analyzing the Forlane, the Rigaudon, and the Menuet of the suite we can understand the view of twentieth-century artists on the music of the Baroque era. http://193.231.18.162/index.php/subbmusica/article/view/2033Ravel, Suite, Baroque, Reminiscence, Baroque dance forms, Piano, Forlane, Rigaudon, Menuet. |
| spellingShingle | Boglárka Eszter OLÁH MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINISCENCE OF BAROQUE DANCE FORMS Studia Universitatis Babeş-Bolyai. Musica Ravel, Suite, Baroque, Reminiscence, Baroque dance forms, Piano, Forlane, Rigaudon, Menuet. |
| title | MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINISCENCE OF BAROQUE DANCE FORMS |
| title_full | MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINISCENCE OF BAROQUE DANCE FORMS |
| title_fullStr | MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINISCENCE OF BAROQUE DANCE FORMS |
| title_full_unstemmed | MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINISCENCE OF BAROQUE DANCE FORMS |
| title_short | MAURICE RAVEL : LE TOMBEAU DE COUPERIN – PART II. THE REMINISCENCE OF BAROQUE DANCE FORMS |
| title_sort | maurice ravel le tombeau de couperin part ii the reminiscence of baroque dance forms |
| topic | Ravel, Suite, Baroque, Reminiscence, Baroque dance forms, Piano, Forlane, Rigaudon, Menuet. |
| url | http://193.231.18.162/index.php/subbmusica/article/view/2033 |
| work_keys_str_mv | AT boglarkaeszterolah mauriceravelletombeaudecouperinpartiithereminiscenceofbaroquedanceforms |