A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head

Iris Murdoch’s novel A Severed Head (1961) is an example of convoluted relationships that may appear hilarious upon superficial analysis. A close reading, however, reveals the suffering triggered by the behaviour of the central characters. The most mysterious female protagonist, the sexually ambival...

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Main Author: Kašpárková Barbora
Format: Article
Language:English
Published: Charles University 2019-07-01
Series:Prague Journal of English Studies
Subjects:
Online Access:https://doi.org/10.2478/pjes-2019-0002
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author Kašpárková Barbora
author_facet Kašpárková Barbora
author_sort Kašpárková Barbora
collection DOAJ
description Iris Murdoch’s novel A Severed Head (1961) is an example of convoluted relationships that may appear hilarious upon superficial analysis. A close reading, however, reveals the suffering triggered by the behaviour of the central characters. The most mysterious female protagonist, the sexually ambivalent Honor Klein, deploys a wide range of possible interpretations. Honor’s powerful figure is like an axis around which the rest of the characters rotate and without whom the plot would fall apart. The question is, nonetheless, if she is a real figure or not. This paper argues that this pivotal character is not a real person but a dreamy and ghostly concentration of elements in relation to the protagonist Martin Lynch-Gibbon. Honor Klein is a force, is suspicion, and fear, and seems to be an external projection of Martin’s subconscious imaginary fears and trauma. She has a similar narrative function as Shakespeare‘s ghosts in, e.g., Macbeth, Hamlet and Julius Caesar.
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spelling doaj.art-e3527bc4cb5749859ad46289dfc805d42024-04-02T18:48:26ZengCharles UniversityPrague Journal of English Studies2336-26852019-07-0181213410.2478/pjes-2019-0002pjes-2019-0002A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed HeadKašpárková Barbora0Masaryk University, Brno, Czech RepublicIris Murdoch’s novel A Severed Head (1961) is an example of convoluted relationships that may appear hilarious upon superficial analysis. A close reading, however, reveals the suffering triggered by the behaviour of the central characters. The most mysterious female protagonist, the sexually ambivalent Honor Klein, deploys a wide range of possible interpretations. Honor’s powerful figure is like an axis around which the rest of the characters rotate and without whom the plot would fall apart. The question is, nonetheless, if she is a real figure or not. This paper argues that this pivotal character is not a real person but a dreamy and ghostly concentration of elements in relation to the protagonist Martin Lynch-Gibbon. Honor Klein is a force, is suspicion, and fear, and seems to be an external projection of Martin’s subconscious imaginary fears and trauma. She has a similar narrative function as Shakespeare‘s ghosts in, e.g., Macbeth, Hamlet and Julius Caesar.https://doi.org/10.2478/pjes-2019-0002iris murdocha severed headhonor kleinmartin lynch-gibbonpsychoanalysisspectrehamlet
spellingShingle Kašpárková Barbora
A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head
Prague Journal of English Studies
iris murdoch
a severed head
honor klein
martin lynch-gibbon
psychoanalysis
spectre
hamlet
title A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head
title_full A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head
title_fullStr A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head
title_full_unstemmed A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head
title_short A Shadow of Truth: Honor Klein in Iris Murdoch’s A Severed Head
title_sort shadow of truth honor klein in iris murdoch s a severed head
topic iris murdoch
a severed head
honor klein
martin lynch-gibbon
psychoanalysis
spectre
hamlet
url https://doi.org/10.2478/pjes-2019-0002
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