Rethinking violence through the narrative of Genesis 4:1–16
Genesis 4:1–16 is a well-known narrative following the ejection of Adam and Eve from the garden. It is an essential aspect of Genesis’ theological unity that consists of a combination of stories that show separation within family and state. The narrative is rich in alternating developmental plot and...
Main Author: | Blessing O. Boloje |
---|---|
Format: | Article |
Language: | Afrikaans |
Published: |
AOSIS
2021-05-01
|
Series: | In die Skriflig |
Subjects: | |
Online Access: | https://indieskriflig.org.za/index.php/skriflig/article/view/2715 |
Similar Items
-
Imaging Evil in the First Chapters of Genesis: Texts behind the Images in Eastern Orthodox Art
by: Margarita Kuyumdzhieva
Published: (2016-09-01) -
CAIN AND ABEL MOTIVE IN THE STORY “EIN BRUDERMORD IM ALTWASSER” BY GEORG BRITTING
by: Kadir Albayrak, et al.
Published: (2015-12-01) -
Cinematic narratives of Sonderkommando: Son of saul or narrating the victim, perpetrator, trauma and death
by: Daković Nevena
Published: (2016-01-01) -
Jawdat Saʿid and the Islamic Theology and Practice of Peace
by: Rüdiger Lohlker
Published: (2022-02-01) -
Cain and Abel: Re-Imagining the Immigration ‘Crisis’
by: Abi Doukhan
Published: (2020-03-01)