The persistence of the collective: A comparative approach to images of the trade union body in 1963 and 2017 in Argentina

The present article offers a comparative approach to images that depict the trade union body, in 1963 and 2017. The aim is to highlight the continuities and changes in the shaping of this masculine and organised corporality, in two images from the 1960s and the 2010s, to ascertain how this social bo...

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Main Author: Federico Bauso Beltrán
Format: Article
Language:English
Published: Universidad Complutense de Madrid 2019-12-01
Series:Re-visiones
Subjects:
Online Access:http://www.re-visiones.net/index.php/RE-VISIONES/article/view/342
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author Federico Bauso Beltrán
author_facet Federico Bauso Beltrán
author_sort Federico Bauso Beltrán
collection DOAJ
description The present article offers a comparative approach to images that depict the trade union body, in 1963 and 2017. The aim is to highlight the continuities and changes in the shaping of this masculine and organised corporality, in two images from the 1960s and the 2010s, to ascertain how this social body of the union is outlined in these distinct periods. As such, we propose to study the 1963 poster ¡Basta! (“Enough!”) by the visual artist Ricardo Carpani (1930-1997) and the untitled 2017 photograph by Fernando de la Orden (1976-), taken for the newspaper Clarín.
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spelling doaj.art-e3de302f5fc54db7a9690fb3e74e86c12022-12-22T00:39:17ZengUniversidad Complutense de MadridRe-visiones2173-00402019-12-0109286The persistence of the collective: A comparative approach to images of the trade union body in 1963 and 2017 in ArgentinaFederico Bauso Beltrán0Faculty of Social Sciences, University of Buenos Aires / National University of the ArtsThe present article offers a comparative approach to images that depict the trade union body, in 1963 and 2017. The aim is to highlight the continuities and changes in the shaping of this masculine and organised corporality, in two images from the 1960s and the 2010s, to ascertain how this social body of the union is outlined in these distinct periods. As such, we propose to study the 1963 poster ¡Basta! (“Enough!”) by the visual artist Ricardo Carpani (1930-1997) and the untitled 2017 photograph by Fernando de la Orden (1976-), taken for the newspaper Clarín.http://www.re-visiones.net/index.php/RE-VISIONES/article/view/342worker’s bodytrade unionsresistanceworkersimage.
spellingShingle Federico Bauso Beltrán
The persistence of the collective: A comparative approach to images of the trade union body in 1963 and 2017 in Argentina
Re-visiones
worker’s body
trade unions
resistance
workers
image.
title The persistence of the collective: A comparative approach to images of the trade union body in 1963 and 2017 in Argentina
title_full The persistence of the collective: A comparative approach to images of the trade union body in 1963 and 2017 in Argentina
title_fullStr The persistence of the collective: A comparative approach to images of the trade union body in 1963 and 2017 in Argentina
title_full_unstemmed The persistence of the collective: A comparative approach to images of the trade union body in 1963 and 2017 in Argentina
title_short The persistence of the collective: A comparative approach to images of the trade union body in 1963 and 2017 in Argentina
title_sort persistence of the collective a comparative approach to images of the trade union body in 1963 and 2017 in argentina
topic worker’s body
trade unions
resistance
workers
image.
url http://www.re-visiones.net/index.php/RE-VISIONES/article/view/342
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