CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY

In that article, we intend to analyze the identitary crisis of the character O Grande Caliban in Brazil, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common...

Full description

Bibliographic Details
Main Author: Gabriela Cornelli dos Santos
Format: Article
Language:Portuguese
Published: Universidade Estadual do Oeste do Paraná 2011-11-01
Series:Travessias
Subjects:
Online Access:http://e-revista.unioeste.br/index.php/travessias/article/view/4880
_version_ 1811288277017165824
author Gabriela Cornelli dos Santos
author_facet Gabriela Cornelli dos Santos
author_sort Gabriela Cornelli dos Santos
collection DOAJ
description In that article, we intend to analyze the identitary crisis of the character O Grande Caliban in Brazil, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common citizen Heitor, because the identitary positions suffer alterations along the history. Caliban then becomes a person in conflict. The character can be considered a symbol of the post-colonial societies, and his identitary crisis as resultant of the problems that they faced for the mutilation that the colonialism imposed. In that way, the character identifies with the minorities, to the margin of the history. As theoretical definitions concerning the theme cultural identity will be considered the studies of Stuart Hall (1996) and Kathryn Woodward (2000).
first_indexed 2024-04-13T03:33:12Z
format Article
id doaj.art-e3e22ea51f67424bb830ea10c6e04cba
institution Directory Open Access Journal
issn 1982-5935
language Portuguese
last_indexed 2024-04-13T03:33:12Z
publishDate 2011-11-01
publisher Universidade Estadual do Oeste do Paraná
record_format Article
series Travessias
spelling doaj.art-e3e22ea51f67424bb830ea10c6e04cba2022-12-22T03:04:24ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352011-11-01524567CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORYGabriela Cornelli dos SantosIn that article, we intend to analyze the identitary crisis of the character O Grande Caliban in Brazil, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common citizen Heitor, because the identitary positions suffer alterations along the history. Caliban then becomes a person in conflict. The character can be considered a symbol of the post-colonial societies, and his identitary crisis as resultant of the problems that they faced for the mutilation that the colonialism imposed. In that way, the character identifies with the minorities, to the margin of the history. As theoretical definitions concerning the theme cultural identity will be considered the studies of Stuart Hall (1996) and Kathryn Woodward (2000).http://e-revista.unioeste.br/index.php/travessias/article/view/4880caliban“brazil”identidadeconflitosociedades pós-coloniais.
spellingShingle Gabriela Cornelli dos Santos
CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY
Travessias
caliban
“brazil”
identidade
conflito
sociedades pós-coloniais.
title CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY
title_full CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY
title_fullStr CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY
title_full_unstemmed CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY
title_short CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY
title_sort caliban representative of minorities at margin of history
topic caliban
“brazil”
identidade
conflito
sociedades pós-coloniais.
url http://e-revista.unioeste.br/index.php/travessias/article/view/4880
work_keys_str_mv AT gabrielacornellidossantos calibanrepresentativeofminoritiesatmarginofhistory