CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY
In that article, we intend to analyze the identitary crisis of the character O Grande Caliban in Brazil, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common...
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Format: | Article |
Language: | Portuguese |
Published: |
Universidade Estadual do Oeste do Paraná
2011-11-01
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Series: | Travessias |
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Online Access: | http://e-revista.unioeste.br/index.php/travessias/article/view/4880 |
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author | Gabriela Cornelli dos Santos |
author_facet | Gabriela Cornelli dos Santos |
author_sort | Gabriela Cornelli dos Santos |
collection | DOAJ |
description | In that article, we intend to analyze the identitary crisis of the character O Grande Caliban in Brazil, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common citizen Heitor, because the identitary positions suffer alterations along the history. Caliban then becomes a person in conflict. The character can be considered a symbol of the post-colonial societies, and his identitary crisis as resultant of the problems that they faced for the mutilation that the colonialism imposed. In that way, the character identifies with the minorities, to the margin of the history. As theoretical definitions concerning the theme cultural identity will be considered the studies of Stuart Hall (1996) and Kathryn Woodward (2000). |
first_indexed | 2024-04-13T03:33:12Z |
format | Article |
id | doaj.art-e3e22ea51f67424bb830ea10c6e04cba |
institution | Directory Open Access Journal |
issn | 1982-5935 |
language | Portuguese |
last_indexed | 2024-04-13T03:33:12Z |
publishDate | 2011-11-01 |
publisher | Universidade Estadual do Oeste do Paraná |
record_format | Article |
series | Travessias |
spelling | doaj.art-e3e22ea51f67424bb830ea10c6e04cba2022-12-22T03:04:24ZporUniversidade Estadual do Oeste do ParanáTravessias1982-59352011-11-01524567CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORYGabriela Cornelli dos SantosIn that article, we intend to analyze the identitary crisis of the character O Grande Caliban in Brazil, of Paule Marshall. When becoming famous comedian, Caliban has his essencialist identity extinguished, and in the search for recovering it, he notices that is impossible to come back be the common citizen Heitor, because the identitary positions suffer alterations along the history. Caliban then becomes a person in conflict. The character can be considered a symbol of the post-colonial societies, and his identitary crisis as resultant of the problems that they faced for the mutilation that the colonialism imposed. In that way, the character identifies with the minorities, to the margin of the history. As theoretical definitions concerning the theme cultural identity will be considered the studies of Stuart Hall (1996) and Kathryn Woodward (2000).http://e-revista.unioeste.br/index.php/travessias/article/view/4880caliban“brazil”identidadeconflitosociedades pós-coloniais. |
spellingShingle | Gabriela Cornelli dos Santos CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY Travessias caliban “brazil” identidade conflito sociedades pós-coloniais. |
title | CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_full | CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_fullStr | CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_full_unstemmed | CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_short | CALIBAN: REPRESENTATIVE OF MINORITIES, AT MARGIN OF HISTORY |
title_sort | caliban representative of minorities at margin of history |
topic | caliban “brazil” identidade conflito sociedades pós-coloniais. |
url | http://e-revista.unioeste.br/index.php/travessias/article/view/4880 |
work_keys_str_mv | AT gabrielacornellidossantos calibanrepresentativeofminoritiesatmarginofhistory |