Bobler og Perler. En barok allegori af Karel Du Jardin fra 1663

An analysis of the oil painting Boy Blowing Soap Bubbles. Allegory on the Transitoriness and the Brevity of Life (in the National Gallery of Denmark, Copenhagen), signed and dated 1663 by the Dutch painter Karel Du Jardin (1626–1678), shows how two iconographical types, that of Fortune/N...

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Main Author: Eva de la Fuente Pedersen
Format: Article
Language:Danish
Published: Lund University 2022-06-01
Series:ICO Iconographisk Post
Subjects:
Online Access:https://journals.lub.lu.se/ico/article/view/25691/22591
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author Eva de la Fuente Pedersen
author_facet Eva de la Fuente Pedersen
author_sort Eva de la Fuente Pedersen
collection DOAJ
description An analysis of the oil painting Boy Blowing Soap Bubbles. Allegory on the Transitoriness and the Brevity of Life (in the National Gallery of Denmark, Copenhagen), signed and dated 1663 by the Dutch painter Karel Du Jardin (1626–1678), shows how two iconographical types, that of Fortune/Nemesis and that of a boy blowing soap bubbles are combined to form a new invention. The essay explores how Du Jardin’s painting expands and nuances the allegorical meaning of Vanitas by this combination of well-known visual sources. The meaning of the painting circles around one of the baroque era’s great tropes, to remember and search for Fides and not to let worldly riches forget her. This article also explores how a baroque Christian neostoic worldview might form part of the ideas and philosophy that underlie Du Jardin’s invention.
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spelling doaj.art-e3fc7cd2f21e45e090fcceda2f9ab1332024-02-03T15:06:52ZdanLund UniversityICO Iconographisk Post2323-55862022-06-011–2, 2022125152Bobler og Perler. En barok allegori af Karel Du Jardin fra 1663Eva de la Fuente Pedersen0The Royal Collection of Paintings and Sculptures, Copenhagen An analysis of the oil painting Boy Blowing Soap Bubbles. Allegory on the Transitoriness and the Brevity of Life (in the National Gallery of Denmark, Copenhagen), signed and dated 1663 by the Dutch painter Karel Du Jardin (1626–1678), shows how two iconographical types, that of Fortune/Nemesis and that of a boy blowing soap bubbles are combined to form a new invention. The essay explores how Du Jardin’s painting expands and nuances the allegorical meaning of Vanitas by this combination of well-known visual sources. The meaning of the painting circles around one of the baroque era’s great tropes, to remember and search for Fides and not to let worldly riches forget her. This article also explores how a baroque Christian neostoic worldview might form part of the ideas and philosophy that underlie Du Jardin’s invention.https://journals.lub.lu.se/ico/article/view/25691/22591karel du jardinmemento morivanitasfortunanemesisneostoicism
spellingShingle Eva de la Fuente Pedersen
Bobler og Perler. En barok allegori af Karel Du Jardin fra 1663
ICO Iconographisk Post
karel du jardin
memento mori
vanitas
fortuna
nemesis
neostoicism
title Bobler og Perler. En barok allegori af Karel Du Jardin fra 1663
title_full Bobler og Perler. En barok allegori af Karel Du Jardin fra 1663
title_fullStr Bobler og Perler. En barok allegori af Karel Du Jardin fra 1663
title_full_unstemmed Bobler og Perler. En barok allegori af Karel Du Jardin fra 1663
title_short Bobler og Perler. En barok allegori af Karel Du Jardin fra 1663
title_sort bobler og perler en barok allegori af karel du jardin fra 1663
topic karel du jardin
memento mori
vanitas
fortuna
nemesis
neostoicism
url https://journals.lub.lu.se/ico/article/view/25691/22591
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