Illuminationist cinema

‘Sacred Defence cinema’ is the official title given to Iranian pro-establishment war films concerning mainly the Iran-Iraq War [1980-1988]. The most prominent figure of this filmmaking movement who both made films and wrote about them was the documentary filmmaker, Morteza Avini [1947-1993]. In his...

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Main Author: Kaveh Abbasian
Format: Article
Language:English
Published: University College Cork 2023-08-01
Series:Alphaville: Journal of Film and Screen Media
Online Access:https://www.alphavillejournal.com/Issue25/HTML/ArticleAbbasian.html
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author Kaveh Abbasian
author_facet Kaveh Abbasian
author_sort Kaveh Abbasian
collection DOAJ
description ‘Sacred Defence cinema’ is the official title given to Iranian pro-establishment war films concerning mainly the Iran-Iraq War [1980-1988]. The most prominent figure of this filmmaking movement who both made films and wrote about them was the documentary filmmaker, Morteza Avini [1947-1993]. In his search for a new Islamic inspired cinematic language, Avini argued that Islamic mysticism could inspire a mode of filmmaking which he called ‘illuminationist cinema’. He used this term mainly in order to reflect on the filmmaking techniques he developed and used during the making of his own documentaries, but also proposed it as a filmmaking method to be adopted by other Islamic filmmakers. Avini’s early death in 1993 put a stop to his theorisation of ‘illuminationist cinema’; however, his films and his writings continue to inspire new generations of Iranian propaganda filmmakers. In this paper, by analysing Avini’s films and writings, I lay out a definition of his ‘illuminationist cinema’ and explain what aspects of Islamic mysticism inspired which filmmaking techniques developed and theorised by him.
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spelling doaj.art-e462fd0de3384271aaf7b703f8110dc12023-09-06T10:53:06ZengUniversity College CorkAlphaville: Journal of Film and Screen Media2009-40782023-08-012552310.33178/alpha.25.01Illuminationist cinemaKaveh Abbasian0https://orcid.org/0000-0002-4208-2644University of Kent‘Sacred Defence cinema’ is the official title given to Iranian pro-establishment war films concerning mainly the Iran-Iraq War [1980-1988]. The most prominent figure of this filmmaking movement who both made films and wrote about them was the documentary filmmaker, Morteza Avini [1947-1993]. In his search for a new Islamic inspired cinematic language, Avini argued that Islamic mysticism could inspire a mode of filmmaking which he called ‘illuminationist cinema’. He used this term mainly in order to reflect on the filmmaking techniques he developed and used during the making of his own documentaries, but also proposed it as a filmmaking method to be adopted by other Islamic filmmakers. Avini’s early death in 1993 put a stop to his theorisation of ‘illuminationist cinema’; however, his films and his writings continue to inspire new generations of Iranian propaganda filmmakers. In this paper, by analysing Avini’s films and writings, I lay out a definition of his ‘illuminationist cinema’ and explain what aspects of Islamic mysticism inspired which filmmaking techniques developed and theorised by him. https://www.alphavillejournal.com/Issue25/HTML/ArticleAbbasian.html
spellingShingle Kaveh Abbasian
Illuminationist cinema
Alphaville: Journal of Film and Screen Media
title Illuminationist cinema
title_full Illuminationist cinema
title_fullStr Illuminationist cinema
title_full_unstemmed Illuminationist cinema
title_short Illuminationist cinema
title_sort illuminationist cinema
url https://www.alphavillejournal.com/Issue25/HTML/ArticleAbbasian.html
work_keys_str_mv AT kavehabbasian illuminationistcinema